The vintage era of AI art, and its electric sheep.
The collection
All 1375 keywords
Quirky 1960s claymation scenes, cinematic, monsters and heros.Work 9823.Stage composition of planes and light of a six-panel folder in two inks and two rules crossing at a right angle, the last Berlin year, type impressed into soft paper.Work 9822.The line never stopped for anyone: a twin figures either side of a press in the third week of a shutdown, flat graphic figure in black, print spotted out with process white.Work 9821.A haze-flattened line of pylons marching to the horizon trailing a plume a mile long, after the last well was capped, bleach bypass with a hard shadow.Work 9820.Face-on figure standing on the bottom of a chamber gauge read by an attendant at the knee of a carved figure, gum print over a platinum base, daylight only at four fathoms.Work 9819.Licensing inspection photograph of a town square, Ektachrome E100G, Fujicolor Superia 200.Work 9818.Bauhaus typographic poster of a triangle balanced on its point in an even light with no shadow, the Weimar years, uncoated stock with a soft bulk.Work 9817.Colour separation gone slightly warm of a cider press house in the tower block years, poster litho in five flat colours.Work 9816.A landscape where the figure reads as a mark made of ridge of red scoria against grey sky under a sky of flat grey cloud, the third winter of the survey, polarised sky over black rock.Work 9815.A town square with the shops shut, kodachrome, midday, nobody.Work 9814.An oil-slick felt duck with webbed cardboard feet inside a room hung in black wool, the early 2000s, school programme insert film.Work 9813.A neon sign spelling a word with no vowels, long exposure, fog.Work 9812.1970s country club building, modern art, Project film, print with a retouched background. damaged film, film grain.Work 9811.A ladder bolted flat to a monolith face, block worn round at every edge, the second slab was never opened, ink gone rusty on a paper twist.Work 9810.A calico bodied bird of paradise headdress at the end of a long platform, the Counter-Reformation years, topographical collection print.Work 9809.A rain hitting a hot griddle opposite a shuttered pawn window, anamorphic 35mm blue streak flare, wet asphalt specular highlights, polariser deepening a pale sky.Work 9808.Isometric projection of a building of a rule-divided rolling mill with a red hot bar on a rising diagonal axis in the last constructivist years.Work 9807.A directional arrow on a wall, colour study in graded tints, the specimen sheet went out unbound, overprinted second colour.Work 9806.Industrial mural study of a water tower over the mill roofs under a roof with no glass left, 1908.Work 9805.The long commission: flat elevation photograph of a facade of a grit blasted concrete at eye level between two matched towers.Work 9804.A shimmer-edged band of silver where the ground should be in a hundred years of the same weather, 4x5 transparency in full glare, 70mm print struck for a huge screen.Work 9803.Aerial perspective fading to pale grey of a shadow-vaulted turf maze, Christmas 1947, a colour print left in a sunny window.Work 9802.Geometric interior rendering of a floodlit from below crew member wiping a gloss white surface past an alcove lit cyan in the age of the lit floor.Work 9801.Low angle frame at wheel height of a torus section a kilometre across and a shuttle holding station off a rim, twenty generations in orbit, slow reversal film with high contrast.Work 9800.Dystopian 1940s constructivist building, modern art, Project film, print with a retouched background. damaged film, film grain.Work 9799.A shot list taped to a lamp stand near a haystack combed into ribs in the half term week of 1967, telecine transfer with warm colour, noise reduction leaving a soft edge.Work 9798.A red-leaded wheelhouse compass in a binnacle, the herring season, stencil paint on a wooden box end.Work 9797.An age measured in miles of paving: lithograph in three stone greys of a lap of a seated figure used as a shelter at a relay marker on a straight mile.Work 9796.Poster paint illustration in flat colour of a group filling a convertible in the studio, Tri-X on a seamless backdrop, acrylic over an airbrushed ground.Work 9795.A vegetable garden overrun by zucchini at the foot of a cut bank in the Chola years, fast monochrome film at 400 speed.Work 9794.