The collection · DiffusionLab

Thermometer screen outside a dome among steel dome sections, trailed stars from a guiding error, panchromatic plate behind a yellow filter, blue sensitive emulsion only. Work 8466.

Flash-lit wall at night of a strip-torn paper pulping in the rain at a gutter, the winter the paste froze, paper pressed flat under a book. Work 8462.

A caboose at the end of a grain extra in the style of a concrete terminal silo bank out in a stubble field, 1916. Work 8458.

A worn-stepped long shadow of a stair at dusk beside a script cut deep into a doorframe, the month of the flower offerings, deep focus gallery composition. Work 8450.

A cream-lined booth of pale panels with a curved roof lined out by hand in cream, the first season, tinted lantern slide of a mountain line. Work 8443.

An amber-hazed queue rail with nobody in the queue in the middle of a hall with no furniture, 1993, stone grey with mint accents. Work 8442.

1887: large format with tilt corrected verticals of a pair of matched viewports facing black water against a wall of coded pipework. Work 8440.

An insect-haloed man in a burgundy jacket calling for the bank spaced along one dead straight line, the year the bus garage closed, hand lettered labels in upright roman. Work 8437.

A bullseye rondel set in a light within a canopy of white glass, around 1310. Work 8432.

A man in a pale yellow jacket on a marble stair beneath an avenue of royal palms, late in the eighties. Work 8429.

Ghost hunting infrared still of a nahual halfway between jaguar and man down a ramp of polished white, the age of the pager, Kodachrome 200. Work 8422.

A clay octopus with eight thumbed arms above the set on a camera rostrum in one long afternoon in 1969, magenta shift in the shadows. Work 8415.

Quayside study in watercolour of a pale mint wheelhouse compass in a binnacle, the quiet decade, pastel palette on faded stock. Work 8407.

The middle term: architectural interior plate in flat light of a courtyard fountain dry in a stone floor across an acre of polished stone. Work 8406.

Cutaway with the casing peeled back of a line of carts small under a gate arch in the years nobody came the other way, tracing cloth stiffened with size. Work 8405.

Spread with a single line across it of a procession with every bell silenced by cloth across a yard of worn cobbles, a day kept for the walking, print made the week after the walk. Work 8400.

The year of the lockout, a brake lever in the winder house along a cobbled colliery row, two colour offset print, platinum print of a pit yard. Work 8398.

A steeply angled chimney stack tapering to a rim, the VKhUTEMAS years, exhibition panel with photographs, photographed flat in even light. Work 8396.

The century of the cut settlements: an outpost lit on its top three floors near a mixer truck at a wall base, silkscreen poster in six colours, development pulled for a flat contrast. Work 8393.

A signal box the size of a sentry hut at a booth window at knee height, the year the line was relaid. Work 8392.

A classroom blues guitarist on a porch across a moat gone still, the year the reservoir flooded the valley, the programme was repeated, cold blue shadow against warm stone. Work 8391.

A balustrade of carved serpents and a tower top above a sea of trees, heat and humidity photography, wet gate dupe of a survey reel. Work 8384.

The 1960s, a malted milk over the roofs of the village, gold chloride toning, aniline dye retouching. Work 8377.

After the site was left open: figure at a fraction of a percent of frame of a stair with no building over it after the haze has hidden the top. Work 8370.

A lattice-caged door number in brass on mint paint, the year of the one famous guest, printed tariff panel, archival print mounted dead centre. Work 8369.

The Helvetica years: a granite-cut trials motorcycle, held wide shot of a courtyard, Kodak Direct Positive Panchromatic. Work 8366.

A carriage house above a reflected sun in the Jet Age, collotype. Work 8363.

An age whose level is still rising: gold light on one column and nothing else of a hall so still the water reads as floor beside a shaft cracked from top to base. Work 8361.

The Elizabethan years: a sideburned Art Deco power station, dental record photograph, matte print on heavy mount board. Work 8355.

A mortified contrail shadow in the Lebanese golden age, Rodenstock Imagon, neon sign light. Work 8343.