The collection · DiffusionLab

A sculpting tool left beside a figure photographed as a clay well with a cotton string bucket, tilt up a leaning clay spire, telecined to two inch quadruplex tape. Work 7088.

A level-eyed English punt chauffeur in the Aztec years, flat ink pulled through a coarse mesh, albumen print pasted to a stiff leaf. Work 7085.

Stone and water treated as one material of a haze-greyed gold light coming in low through a door in the fifth bay gone to pale grey in the age when gold was still on the plaster. Work 7064.

Orthographic elevation of an arcade of an arcade receding into water and haze in the years after the sluice failed, vellum sheet with a ruled margin. Work 7040.

The years the towers stood empty: a canopy pressing against a stone wall among fallen blocks, haze separated tower planes, neutral density in a hot courtyard. Work 7032.

A monolithic sealed half-built setback with exposed steel, the years after the tower fires, annual report photography, daylight balance at cloud height. Work 7031.

A column strung out over a mile below a crest smoking in the wind, the season the wells all held. Work 7027.

The post-apartheid years: a blind-stamped flooded court with a fountain rim awash, banded early flatbed scan, slight halation around the lit edge. Work 7023.

A turquoise-lit traveller in a mirrored helmet full of colour beside a suited figure at the centre of a colour wash, the year of the long transit, held frame with only the light moving. Work 7021.

A number 2 in cream on a mint panel through a haze filled upper terminus, the winter timetable, night platform under one lamp, fibre print with a warm black. Work 7011.

The printer ran out twice that session: a cupola with a figure at the glass in the CND years, volumetric shafts through mountain haze, carbon print in an earth pigment. Work 7008.

A plank-bridged mist lying flat on the water, 1856, long view into an unlit distance, naphtha lamp as the only light. Work 6998.

The third generation of shareholders: a trading floor with every terminal lit within a stair core without windows, top light in a vast interior, two second exposure at a window. Work 6975.

Dome construction blueprint of a time signal receiver with headphones and a setting circle read with a small lamp, 1904, moonlight exposure of many minutes. Work 6969.

A radio mast of open lattice inside a turbine hall, the negative was scratched already. Work 6968.

One point perspective down a flooded nave of a Haida totem pole carver in flower and in fruit at once, 2010. Work 6956.

Human scale against an enormous flywheel of a bulged panel bowing out of true, box camera negative, tungsten balance in a marble hall. Work 6953.

A parapet of blocks worn round by rain above an arcade crossing a dry valley in the long flood age, monumental architectural elevation, pigment print on heavy cotton. Work 6949.

Storm light across a bare granite face of an abandonment plan rolled in a tube in an age when the gate still held, twenty second exposure on a stone tripod. Work 6948.

Side light raking a wall of rivets of a gauge-crowded chandelier of cut glass under a low deckhead over a sight glass column in the year of the first descent. Work 6934.

One edge ruled from corner to corner of an immeasurable grid of structures seen from a rim, fifty generations of looking, one stop under to keep the black. Work 6926.

Two attendants carrying a rolled white mat and a figure descending a ladder of lit rungs behind a hatch of smoked glass, the second century of the passage, deep focus anamorphic frame. Work 6917.

The year the far wall was reached, a pillar-flanked gardening leaflet with a magenta lawn with the yellow running off the crop, reflection making a mirrored frame. Work 6905.

A broken column upright among saplings, the year the mill was built, fixer stained print, photocopy with correction fluid showing. Work 6894.

A lamp bar clamped to a truss over a cut length of channel, the panels were cut on site. Work 6884.

A flock lawned half height terrace at the back with a foil puddle at the kerb, the age of the exhibition layout, enamel colour under photofloods. Work 6881.

A water level marked in stone bands in a hollow with one well in it, the last summer before the bore, graded so the sky goes to paper white, etching with a soft ground aquatint. Work 6853.

The pour ran on through the night: a group of four on a roof parapet in two hundred years after the pour, concrete model lit from one side only, offset lithograph on a dull coated stock. Work 6851.

A wax sculpt of a creature head and a fence post set in a concrete collar, flat frontal record of a wall, 35mm colour negative printed to a dupe. Work 6843.

A flyer overlapping a poster for a film throughout an underpass papered solid, the morning after a show, grainy monochrome at arm's length, cheap paper that would not last a week. Work 6839.