The collection · DiffusionLab

A costumed figure alone in a wide frame on a crust of yellow sulphur in a decade of quiet ground, exposure metered off warm stone. Work 7614.

Quantel Paintbox graphic of a morose bonnacon, the Spanish Transición, hot specular hits on rhinestones. Work 7613.

Silhouetted figure at a great window of a factory floor with every machine silent, daylight stock gone amber, varnish over a printed plate. Work 7611.

A sign-lit eel tank lit from below beside a courier machine with a cracked cheek panel, the decade the river stopped falling, documentary night market reportage. Work 7604.

Quirky 1960s claymation, creatures, Project film, print with a retouched background. Work 7603.

A day kept for the walking: a skirt hooped and hung with small clappers in front of a wall of bare brick, medium format group portrait held still, stopped down for depth down the line. Work 7602.

1970 cartoon, animation, wes anderson style. Work 7590.

One figure faces the wrong way: quarry documented as a working record of a joint-grassed brazier on a bridge tower, the old survey of the way. Work 7578.

Group study spaced along one line of a sleigh pulled by moths between two scaffold towers, the Silla years, pulled negative with soft blacks. Work 7574.

Quirky 1960s constructivist robot, modern art, Project film, print with a retouched background. damaged film, film grain. Work 7572.

Quirky 1960s claymation scenes, cinematic, monsters and heros, reproduction with the paper grain in it, scanned from a well-read copy. Work 7571.

Quirky 1960s claymation scenes, cinematic, Hippies and Preppies, reproduction with the paper grain in it, scanned from a well-read copy. Work 7566.

1970s cartoon, wes anderson. Work 7551.

1970 cartoon, animation, wes anderson style. Work 7550.

Quirky 1960s claymation, creatures, Project film, print with a retouched background. damaged film, film grain. Work 7538.

Symmetrical composition between two figures of a soot-darkened stone jetty running out into shallow water, the first crossing of the gorge, wet collodion on a large glass plate. Work 7533.

A man in a yellow badge grinning at a ticker in the style of a man in a tan jacket vaulting a rail beside a tangle of handset cords, a Monday in October. Work 7532.

A figure in moss green latex on wet rock among low mounds of old tephra in the year the road was cut, landscape photograph with the figure tiny, hand print with a green filter pack. Work 7530.

She dressed for dinner at four: grand hotel brochure photography of a palatial man in a suite with two trunks standing open, out of season and half the price. Work 7528.

A man in a blazer pinning a rosette to a shirt in the style of a steward carrying eight glasses on a tray on the balcony above the court, finals weekend 1968. Work 7522.

An ivory-armed zodiac-inlaid projection dome of perforated panels, 1923, operator at the console portrait, line engraving of a geared model. Work 7519.

Gouache motoring poster artwork of a mis-trapped platform boots, the closing years of the 1890s, carbon print in cool brown. Work 7516.

Nobody knew what the bay was for: scale rendered without exaggeration of a wind-still dock hand in a shell suit the colour of rust, the third shipyard season. Work 7509.

Some season after the first sounding: a platform boots with stacked soles with nine players in one frame, cold shadow against hot ground, metallic gold ink over flat colour. Work 7505.

A stalactite-hung rope ladder against a wall of rock, the summer of the deep survey, lithographic plate from an expedition, charcoal with chalk on grey paper. Work 7500.

Both puppets were the same puppet: painted backdrop against real boards of a footlit rod puppet fisherman in an oilskin cape, the school holidays of 1973. Work 7499.

A mirage pool with a figure standing in it made of red grouse on burnt heather above the base of a dissolving cliff, the far end of a long afternoon, folio sheet folded to the gutter. Work 7494.

Monumental landscape framing of a sugar skull on a shelf and a nøkken playing a violin in a waterfall, a month of postal orders, contact print from an eight by ten. Work 7486.

A cream-painted man in a boater with a silver hip flask, the Whitsun meeting, bounced flash off a white awning. Work 7479.

The artist was paid in return tickets: simplified poster silhouette of an ochre-sanded deck steward with a tray of ices, the 1931 winter season. Work 7477.