The vintage era of AI art, and its electric sheep.
The collection
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Colour rotogravure advertisement of a hand lettered ranch hand striking a match on a thumbnail, 1959, Fujichrome transparency.Work 6286.Everybody lies about the money: a railway signal in the rain in 1944, cinematic frame with deep focus, shot on Eastman Super-XX.Work 6270.Yacht club regatta photograph of a long white glove past the elbow in a red coat, 1926.Work 6266.1979, a sugar frosted colour bars with a tone in the corner while the announcer keeps talking, safe title area framing.Work 6259.Ancestral portrait of an unamused debutante's first waltz, 1924, tungsten light in a studio.Work 6253.A master of foxhounds in a red coat and a rider in a black hunt coat on Bellevue Avenue, 1934, hand tinted portrait.Work 6250.The late 1940s: a hard-boiled rooming house parlour, available-light photograph, light from below the face.Work 6247.1865, a self conscious Amphicyon in a lurex jumpsuit under the lights, tin glazed earthenware dish.Work 6239.A top hat carried under an arm and a freeze frame on a smiling family, sign on test pattern frame, flying spot scanner highlight flare.Work 6237.A night shift museum of curiosities, the Ptolemaic years, Adox NC 17 colour negative.Work 6225.A steam-wrapped umbrella seller at a crossing beside a security drone with a searchlight, some November a long way from now, cinematic wide shot.Work 6217.Club logo in chrome lettering of a Lagos nightclub stage at a smoked glass table, the summer of 1979, harsh direct flash.Work 6205.The marquee was up for three days: full length portrait in oils of an unamused three ostrich feathers in the hair, 1924.Work 6194.A housekeeper in a ra-ra skirt in three tiers, Easter 1912, lost property record photograph, fluorescent tube light overhead.Work 6188.Travel film frame in sixteen millimetre of a lei placed over a traveller's neck in the late 1960s, Nikon F with a fifty millimetre lens.Work 6185.A poorly lit akhlut, the Spanish Civil War years, wardrobe test Polaroid, a minute by streetlight.Work 6182.Feather mosaic of a cocktail garnished with a flower in a sheepskin coat with the fleece showing, the golden age of radio.Work 6177.A picket line in winter, black and white, braziers, breath.Work 6175.An usherette with a tray of cigarettes on a whitewashed lane of steps in 1940, stylised mural in flattened perspective, splice flash in a home movie.Work 6163.A vodni mož at a Belgian kermesse, the first winter of the 1920s.Work 6161.A spark throwing pressure suit with a ribbed collar, 1953, theatrical spotlight on a podium.Work 6145.A blackmailed wet cobbles under a lamp, the years right after the war, single source lighting.Work 6135.The headline never ran: a couple on a sailboat rail taking spray in the late 1950s, Life magazine style full page, fading in the yellow dye layer.Work 6106.An impossibly healthy flip-top box with the lid half open in 1959, colour shift toward magenta with age, emulsion scratch down one edge.Work 6101.County fair premium book page of a fair packing up at dawn in a tabard full of change, 1955.Work 6048.A gone blue guerrilla fighter, the Silk Road centuries, Kodalith Ortho 6556.Work 6046.A Scottish ghillie, the turn of the 1950s, oil on canvas board for a cover, tempera on panel.Work 6042.A piadina, photograph of a photograph, she watched from behind the nets, Ilford SFX 200.Work 6034.Memorial portrait of postmodern 80s fashion, ministry-grade, complementary colours.Work 6025.A blazer with club colours, the Argentine Proceso, Georges Barbier style plate, varnish over printed tin.Work 5998.