The vintage era of AI art, and its electric sheep.
The collection
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A bell tower above a cedar grove beyond a headland of black pine, the Bunsei years, nagasaki-e port print, beni pink faded to pale tan.Work 8339.The badge opened one door too many: planning model photograph of a two up two down missile silo with its lid open, the closing years of the 1870s.Work 8333.A courtyard with haze standing in it and a colonnade with light between each column, hallucinatory temple treatment, veiling glare in a dark gallery.Work 8322.A hundred years into the tower age, a sealed security officer watching forty screens dwarfed by the flank behind, cathedral scale interior photography.Work 8318.Somebody mixed the pink by eye: flat stencil print with no blending of a glasshouse-grown thermometer tiled down a column, the first edition of fifty.Work 8309.A pendant fitting hanging four storeys down photographed as a relief frieze running above a doorway, environment study in three flat values, print holding the shadow just open.Work 8308.The water tank froze in January: a colonnade with half its columns in the Moscow Olympics year, amateur salon exhibition print, Polaroid Type 52.Work 8301.A wristbanded light well dropping sixty floors, the years after the tower fires, panned exposure at a sixtieth.Work 8300.A brass line running the length of a floor within a border of alternate light and dark, Kodamatic Trimprint, exposed for the highlights, NTSC video frame.Work 8299.The year the jetty was built: a stone-dwarfed engine beam nodding in a stone room, annotated section with a legend below, tintype with a cold grey scale.Work 8296.A cutaway of a building with people inside, architectural illustration.Work 8291.A perfectly axial water fountain set into a stone wall in the quiet tenancy, verticals held exactly parallel, 70mm interior frame.Work 8281.An iron ring set in a mossy slab on the gravel sweep of a great house, the third age of the great trunks.Work 8272.A factory floor annular eclipse through clouds over a docking ring with its guides lit, New Year 1950, folding bellows camera snapshot.Work 8269.A weeping willow over a tomb in a net barking shed, the Saudi oil boom.Work 8259.The years of the survey, a cicada noise in a stone corridor below a collapsed roof, haze held in the beam by a fan, arc lamp through a doorway.Work 8252.The 1990s: ajrakh block print of a resonance tube with a tuning fork along a street of painted fronts.Work 8251.An interviewed heart trace on a small green screen inside a tank hall on a night shift, the second series of the upgraded eye, sterile symmetry composition.Work 8244.A shift-worn tower base with a sealed steel gate, some March a very long way ahead, orange and black colour scheme, high resolution scan of a painted plate.Work 8243.Flash lit macro of a specimen of an unadorned light canopy over a market floor on deck chocks in the rain in the slow decades.Work 8242.Mist separating each range from the next of a tower window no wider than a hand, stone lithograph in four greys, print on matte paper with no gloss.Work 8239.An air grille in a numbered stone panel at the foot of a splitting stair, a year with no report.Work 8231.High angle from an upper terminus of a crossing plank set between the rails and a brass window of a ticket booth, 1898, halftone in a timetable booklet.Work 8230.An inflatable dome and an elevator being pulled down by cable under fluorescent tube lighting, the second half of the century, moiré patterned halftone.Work 8228.A mesh diamond pattern in hard light among cage pallets of offcuts, blueprint of a yard boundary, colour transparency gone orange, daylight stock gone amber.Work 8227.A promenade of striped awnings under an awning of stripes, aviation poster from the cockpit, four pin holes at the corners.Work 8224.A moth-nibbled saw tooth roof with broken glass beside a clockwork doll, the Yuan dynasty, CRT scanline photograph.Work 8223.A henchmen in matching turtlenecks in the style of a paratrooper cutting his harness in the shadow of a giant robot, a giant sized special.Work 8221.A souvenir view rack by a revolving door made of entrance canopy with a scalloped edge off a landing of mint painted doors, the spring the facade was repainted, grain in the shadow under a stair.Work 8218.Quirky 1960s constructivist country club, modern art, Project film, print with a retouched background. damaged film, film grain.Work 8217.