The vintage era of AI art, and its electric sheep.
The collection
All 1375 keywords
Quirky 1960s constructivist country club, modern art, Project film, print with a retouched background. damaged film, film grain.Work 8217.Telephoto compression along a mill of an ore bridge over a stockyard, whole plate view camera negative, dry plate exposed by furnace light.Work 8215.A nurikabe and a taiko ensemble, embossed Victorian scrap relief, cold-toned print in a blue grey.Work 8214.An improvised festoon lighting along a wet wall in a winter deep in the coming century, photochemical print with a cyan bias, colour transparency with pastel walls.Work 8210.Modeller's prototype reference photograph of a humping engine at the top of the hump at a shed office door, colour print gone magenta, fast panchromatic film at ASA 400.Work 8208.A cable of a suspended light fitting with the ballast already released, a year with no report, mirror symmetry across a marble hall, duotone in grey and mint.Work 8207.A heat column rising with no cloud above made of walker stopped with its back to the sun above a band of shivering air, the far end of a long afternoon, 4x5 transparency in full glare.Work 8204.Ultra wide composition with two thirds sky of a salt-stiffened column of figures crossing a dune crest, a week of unbroken white sky, five perf 65mm stock rated slow.Work 8203.A damp-stained doorway half filled with quiet water, the long wet age, volumetric shaft through interior haze, whole plate negative squared to a facade.Work 8197.The last night of the booking, a figure seen from behind in a shell cape inside a space with no visible wall, fine grain holding every scale edge, standard lens with no falloff at the edge.Work 8192.A canopy-dark smoke going flat at the treeline in a fortnight without a signal, magenta gel on a lamp, contact print from a location negative.Work 8191.Flat orange and green with no shading of a foxglove spire at the back of a bed weighed on the shop scale, 1918.Work 8184.1803: a pirated estuary with the sandbanks named, ships engraved under full sail, double page spread with the fold worn.Work 8179.A multiplied rubber duck in four colourways in an edition nobody counted, print on wallpaper lining paper, dust trapped under the ink film.Work 8178.Cloud-wrapped slate-grey sledge runners for moving dressed stone, the winter the chain went dark, wide plate with the horizon on the lower third, ink wash on laid paper.Work 8176.A miner's head in flat black and white against a tiled underground wall, the season of the loud palette, screenprint head over a halftone photo, cheap process print on a folded sheet.Work 8162.An Art Deco villa behind a parapet worn round by rain in the year the pirate radio stopped, Rose Parade float, hand-tinted monochrome print.Work 8155.Quirky 1960s constructivist, retro tech, Project film, print with a retouched background. damaged film, film grain.Work 8152.Memorial portrait of postmodern 80s fashion, ministry-grade, complementary colours.Work 8150.Quirky 1960s constructivist country club, modern art, Project film, print with a retouched background. damaged film, film grain.Work 8145.1911: a glare-free photographic zenith tube, lunar limb pencil study, pencil number on the plate edge.Work 8142.Topping out ceremony photograph of a birch polypore behind a fallen giant across a beck, the year the telephone reached the village, glow of a rheostat lamp.Work 8141.A lifting body coming in on a dust plume after a night of rain, the age when the wind won, frame built on one long diagonal, xerox with a dark band down one side.Work 8138.Carts rendered as marks for scale of a stepping causeway of nine great slabs at the third mile of a paved road, wood engraving with fine cross hatching, mezzotint with velvet blacks.Work 8136.Rows of figures moving in step under a single work lamp, halftone screen coarse enough to count, offset ghosting from the next sheet, contact print from a glass negative.Work 8128.An organ pipe cactus tethered to a mast in the mist, the Roaring Twenties, seed identification chart, 6x9 rollfilm transparency.Work 8126.A road roller, the turn of the last century, label art with a hard black outline, sepia toned photographic print.Work 8117.The Babylonian years: a thread-strung safe deposit room, muted pastel over deep shade, two stop push in old developer.Work 8116.Glass shot reference photograph of a soldier's face in flat olive against a shutter of mint boards, the 1960s, slide taped and numbered.Work 8112.1970s strange cartoons, glass negative scratched at the edge.Work 8101.