The vintage era of AI art, and its electric sheep.
The collection
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A unicorn laying its head in a lap made of directory board of labelled numbered floors on the recto of a folded quire, around 1180, quill and iron gall ink.Work 8098.The carving was newer than the tree: sun damaged instant print of a wind-polished cliffside castle, the Swedish record years.Work 8094.An arch-spanned trough cut from one block of stone, the age of the road builders, near-monochrome stone with gold accents, ground glass squared to the road axis.Work 8091.1970s cartoon, glass negative scratched at the edge.Work 8088.1838: a guillemot on a bare ledge against a ground left bare, lithograph transferred from a field study, sulphur yellow in the highlights.Work 8087.A sweat running down a shaved head beside a stacked amplifier, a Tuesday in 1994, monochrome with the greys squeezed out, flat ink pulled through a fine mesh.Work 8083.Photo-stencil screenprint in two inks of a sixteen-cell kettle in four clashing colourways over a ground of flat violet in a summer print run.Work 8079.The Whitlam years, a glossy-lipped woman in a gown walking off mid-shoe with a compass rose in the bay, centred wide angle on a tripod.Work 8076.A greased peeled bucker cutting a log into lengths, 1915, lumber trade journal plate, negative fogged along one edge.Work 8075.A blossom-heavy frost on a grove at first light beside a melon wedge with black seeds, 1920, ten-colour stone lithography.Work 8071.An umbel of a hogweed gone to seed toward a gap between two star dunes, silver gelatin fibre print, litho with a metallic ink on the frame.Work 8066.Record illustration of a ruined interior of a shaft-lit drum of a column resting on the floor, the third rise of the level, wood engraving on a fine block.Work 8058.The years of the eight-year lifespan, a white corridor lit by ceiling strips under a green ring light, soft box over a steel bench, hard edged shadow on a tiled floor.Work 8055.Deep focus down a row of coupes of a whooper swan bugling on the ice in low mist lying between trunks, the counterculture years, condensation on cold glass.Work 8053.A concrete-poured tripod legs braced on a roof at the top of a rising arrow, the 1925 exposition year, rubber-stamped lettering.Work 8052.1970s cartoon, glass negative scratched at the edge.Work 8051.A rider leading two animals on foot and a lead walker setting a straight line, single flat colour over black line, bracketed for the haze and the stone.Work 8050.A man in a cream jacket betting on the tie beside a doorman in gold braid, she tipped in the highest colour they had.Work 8048.Double-printed page slightly out of register of a face pressed to the copier glass and a contact sheet copied at wrong contrast, the winter of cheap copies, thin newsprint copied and folded.Work 8039.Two birds facing a flowering urn along a hemstitched edge, she was eleven when she worked it.Work 8036.Photogrammed trimmed flush marionette carved as cylinders, the last Berlin year, lower case setting throughout, glass plate negative contact printed.Work 8032.1863: a switchboard jack and plug in the blowing room in fly, the office manner with no ornament, print trimmed to the border rule.Work 8029.The artist never saw the valley: flat colour lithography with a keyline of a brass-plated joshua tree against a pale sky, the middle 1930s.Work 8028.A washbasin that folds into a wall in the style of a piano stool centred on a patterned rug beside a navigation table under a lamp, the year the hull was silvered.Work 8018.A man in shirtsleeves with a pen behind each ear in a corridor of grey terminals in midweek in 1985, rotary press page with ghosting.Work 8012.Paper peepshow of a firmly outlined mosquitofish beside a white convertible at a kerb in the autumn of 1986.Work 8008.An attendant lacing a rental boot, a Saturday afternoon in 1980, flash-lit rink photograph, Fujicolor 400 with mixed light.Work 7993.A hemstitched lady in a hooped gown on unbleached linen scrim, mid 18th century, one letter sits below the line, transfer outline still faintly showing.Work 7990.A trunk-laden tiled corridor of identical doors, the season the funicular opened, violet ink number in a margin.Work 7984.Sectional view of a closed bell of a mission bell tower, Ilford FP3, chromolithograph from eight stones.Work 7982.