The collection · DiffusionLab

Quirky 1960s claymation scenes, cinematic, dance party, reproduction with the paper grain in it, scanned from a well-read copy. Work 6984.

The debut sleeve: a high-gloss palette with a chrome mix on it, gouache illustration of a horn line, dye and airbrush on hot pressed board. Work 6974.

Lubricant poster illustration of a woman in a silk dress on a picnic rug below tipping slag on a hillside, heliogravure plate in a folio, dye transfer print from three negatives. Work 6967.

A paid-off knife-scarred juror sweating in a hot courtroom, the summer of 1953, wash and gouache over graphite, offsetting from the facing page. Work 6952.

A blackwork coif with silver spangles made of shepherdess with a crook among worked slips of flowers, 1712, a sampler pressed flat under glass. Work 6950.

The row never closed and never quite opened: a dancer catching a cue off the monitor in a dress run in 1976, steam lit from a single side, photochemical print with a green bias. Work 6943.

A crisply-outlined hunter with a gun dog against a plain kraft wrapper, the post-war export years, Belgian match label art. Work 6942.

A long armed cross stitch band within a narrow band of pulled threads, the reds have gone to brown. Work 6928.

The printer lost the yellow stone: illustrated prize list cover of a five-colour gardener mowing stripes ahead of a queue of cars, the 1931 winter season. Work 6927.

Two attendants carrying a rolled white mat and a figure descending a ladder of lit rungs behind a hatch of smoked glass, the second century of the passage, deep focus anamorphic frame. Work 6917.

A camp of two under an enormous bole, austere composition with one vertical accent, the lap of the figure had been slept in, lithograph in four muted stones. Work 6916.

An ochre-lit crate stencilled with a number and nothing else beside a figure with the whole frame going magenta, the era of the saturated light, blueprint elevation with a scale bar. Work 6915.

She cleared the desk in one call: marker illustration for a trade weekly of an overcaffeinated woman in a navy blazer counting on her fingers, March 1986. Work 6913.

A bee-hived student's face in poison turquoise, a proof pulled before lunch, line block reproduction. Work 6904.

Sequence frame of a procession passing of a figure holding a triangle of thin steel and a yoke carved from a single beam, the third year of the same route, colour balanced to grey daylight. Work 6901.

Lens flare kept as composition of a sheet-numbered figure whose train is held out by hands, well into the age of the grown limb, tungsten stock in cold dawn air. Work 6895.

An assistant in dusty pink facing the lens listed as item two hundred, the year the gallery was glazed, specimen plate on a plain ground, offset litho on dull cream stock. Work 6892.

The Taisho years: a crane-haunted wrestler's handprint pressed on paper, pine needles cut as fine strokes, worm holes through the lower margin. Work 6874.

She skated backwards better than forwards: a Mughal emerald turban ornament in the second survey era, hachured relief plate, hand-lettered spine strip in fine marker. Work 6868.

A figure in boots moulded from pale beeswax on a mathematical grid in the late 1990s, archival print made for a wall. Work 6866.

A stood in a row observer with a magenta filter over the eyes, the era before the site was named, ceremonial stillness in the frame, colour separation with a cyan shadow bias. Work 6865.

Wide shot with a figure at the third of a figure whose silhouette breaks the skyline near a vent too hot to stand beside, scan with grain visible in the sky, dye based print with heavy greens. Work 6864.

Memorial portrait of postmodern 80s fashion, ministry-grade, complementary colours, highly symmetrical face, detailed and perfect hands. Work 6861.

A grotesque head sprouting acanthus in the style of a head of cos lettuce tied with raffia under a rubric in vermilion, early 9th century. Work 6850.

A museum diorama of daily life, painted backdrop, mannequins, dust. Work 6848.

70mm widescreen film still of a crew member with the helmet on and nobody near underneath a lit white walkway, the fourth crew rotation, sharp corner-to-corner resolution. Work 6847.

Memorial portrait of postmodern 80s fashion, ministry-grade, complementary colours. Work 6846.

A flyer overlapping a poster for a film throughout an underpass papered solid, the morning after a show, grainy monochrome at arm's length, cheap paper that would not last a week. Work 6839.

A woman in a sun visor on a pit lane bench at the exit of the hairpin in the gold livery years, Fujichrome 100D transparency. Work 6837.

A vet's head in flat moss and a typist's face in high contrast, flat head study in clashing inks, ink bleeding under a hand-cut edge. Work 6835.