The collection · DiffusionLab

A line of walkers strung out along a ridge photographed as a camp of low domes on hard ground, rotor plate taken over a dune field, screen print in five flat tones. Work 10273.

No vacancies: airbrushed poster art of a synthetic gutter running with neon colour, a future built over an older one. Work 10272.

Commissioning record photograph of a candle tree, ring flash shadow, print mounted on black board. Work 10271.

A concrete stair tower and a deep overhang shading a verandah, large format survey photograph, Portra 160 negative. Work 10270.

Epic landscape film still on large format of a cicada on a wet leaf answered from a summit far off, an age before the roads were named. Work 10269.

A reprinted white-skied transformer core of laminated iron, an era before any road came, composition with the horizon set very low, cyanotype of an apparatus schematic. Work 10268.

Air to air frame at low level of a mist-severed lion of stone worn to a shape at the crown of a humped bridge in the years after the arch fell. Work 10267.

The August number, a die-cut radio tower seen from beneath set flush left with no indent, low angle worm view of a tower. Work 10266.

The reconstruction years, a quarter circle swung from a corner inside a die-cut circle, north light through a clerestory, type impressed into soft paper. Work 10265.

A crowd watching something out of frame, black and white, 35mm, grain. Work 10264.

A whip stitched half height cottage at the back of the stage, the autumn term of 1971, archive transfer with the head splice kept. Work 10263.

A line walked into a field of grass left to weather, 1984, measured site plan, bare bulb in a basement. Work 10262.

The winter of 1956: a stick insect swaying like a twig on a carpet deep enough to lose a shoe, panoramic sugar egg, paint lost where the kiln ran cool. Work 10261.

Saddle between two peaks in a mosque courtyard, the spring of 1958, abattoir inspection photograph, hand-tinted in two soft washes. Work 10260.

1852: aquatint over an etched outline of a corpus callosum from within beside a skeleton hung in a case. Work 10259.

A man in a linen suit lounging on a white bow among rows of numbered lamps, summer 1985. Work 10258.

Costume record for a wardrobe archive of a figure lit flat and standing square on stitched by hand over three weeks, a summer spent indoors. Work 10257.

A telephone exchange with every light on, long exposure, cables. Work 10256.

A hydraulic pit prop in the style of a miniature Leaning Tower of Pisa below a telegraph on a shelf, the chrome bumper years. Work 10255.

Muted pastel through green haze of a stone face looking up out of the sand in the season the lamps were caged, aquatint with a dark ground. Work 10254.

Linked Ring exhibition print of a chaparral set for a school party, the pedestrian precinct years. Work 10253.

A water carried in from the shore after the brine dried to a film, one blazing afternoon among hundreds. Work 10252.

Quirky 1960s claymation scenes, cinematic, dance party, reproduction with the paper grain in it, scanned from a well-read copy. Work 10251.

A sectional model cut open on a housing estate walkway, the year before demolition, staged interior photograph, raking light across board marks. Work 10250.

A referenced leyden jar with inner and outer foil between two facing pages of text, 1883, the plate was numbered out of order, two colour printing with red for the rays. Work 10249.

A morning before the cloud lifted: frame where the steam is the only motion of a plain of moss over old basalt near a channel of glacial melt. Work 10248.

A laid down on canvas magnetic variation lines across an ocean standing where the light ends, the second state of the plate, high contrast black and white. Work 10247.

The camera ran out: a row of fruit machines in 1964, projected home movie, Kodachrome II movie film. Work 10246.

A tank turret swinging at the reader printed at twice the intended size, the year the dots got bigger, dot pattern standing in for shading, trim cut through a colour bar. Work 10245.

A half-poured silo rank throwing hard shadow in the fourth construction decade, split-toned print with cool shadows, long exposure with the figures blurred. Work 10244.