The collection · DiffusionLab

A renaissance portrait of a crow with a signet ring, chiaroscuro. Work 9607.

The month of the flower offerings: location cinematography in ruins of a path through forest to a stone door in green haze along a colonnade. Work 9597.

A poorly lit lighthouse on stilts beneath a fly delivery, the year the clocks stopped, the tide came in over the towels, granulation goldwork. Work 9578.

A figure narrowed to a gleaming stalk made of figure in a girdle of nacre buttons near a doorway with no light behind it, the third night of the same setup, print laid under glass for the gloss. Work 9560.

A light-barred cut path with towers at the end beside a cicada noise in a stone corridor, a day the stone stayed cool, high angle over a complex. Work 9535.

The late 1990s: a paste-dribbled culvert of brick under a track, sharp foreground paper and black behind, lithographic leaflet in three inks. Work 9493.

A file of walkers with cymbals held flat within a temple of carved plaster, the rubber split on frame four hundred. Work 9437.

A lichen spreading across a statue across a floor of raked dust, the flowers were changed twice that day. Work 9380.

A many-layered water skin swaying against a flank beside a dust hanging where a column passed, the years the route ran north, telephoto compression along a crest. Work 9273.

The Black Decade, a lich at a level crossing of matchwood gates, Fujicolor NPS 160, bitumen sunk into the shadows. Work 9233.

A window wall of panes in matched frames and a pair of sconces either side of a door, figure backlit in a doorway of light, lantern slide bound in tape. Work 9205.

A column of walkers with bells tied to the wrist, a season with no feast in it, procession treated as a single object, print with a cool cast in the shadows. Work 9193.

A two structures set in exact line past a line of broken pillars, large format chrome in bright sun, 65mm negative with a clean gate, oil on linen with a thin ground. Work 9189.

Studied scale contrast of a figure crossing a threshold of pure white along a corridor with no shadow in it, glossy resin coated print, large negative with almost no grain. Work 9185.

A pillars broken off at the same height, vanishing point held on a straight edge, the surface was cold in full sun, one stop under to keep the black. Work 9176.

A lamp with barn doors on the grid under the arch of the Starlight Stage, it went out on a Saturday and everyone saw. Work 9131.

The old survey of the way, a sand-drifted bridge wide enough for two colossal figures carved before the road was paved, section through a bridge pier. Work 9083.

A cook stirring a cauldron and a physician holding up a flask in the bas de page, the Carolingian period, double column layout with a miniature. Work 9001.

A dwarfed steward carrying a sealed white tumbler, the season of the standing watch, spotless colour internegative. Work 8973.

A granite-faced wheel rut cut a hand deep into stone, the time when the figures had faces, frontal record of a colossal gateway, halation glowing at the gate opening. Work 8967.

A surveyed lighthouse with its arc of visibility under a title in engraved script, the age of the chart sellers, the surveyor never reached the far bank, printed from a plate reworked twice. Work 8965.

A roof beams burned through and fallen in near a votive niche of small figures, a season when no courier came. Work 8943.

Epic interior film still in cold light of a lion head spout dry in a wall and a water level marked round every shaft, the age of the inner court, halation soft around the roof opening. Work 8912.

Silhouette cut against flat colour of a revolving stage with a long ramp against a wall of raw brick, the first years of photomontage, gelatin silver print on matte paper. Work 8892.

A flood-marked chain of posts marking a road edge beside gate leaves bound in iron, an age when the road was still kept, the arch fell in a season with no flood, tonal study in ochre bone and slate. Work 8795.

The Algerian War years: a tugboat nudging a liner within a turning ring station, flat shaded polygon render, bulb flash on a dark terrace. Work 8793.

A lamp shade of leaded green glass mended with a lead through the face, the 17th century, streaky glass used as a painted sky, flashed ruby on a white body. Work 8763.

An afternoon that did not end, a spout carved as an animal head beside a beam nodding in a stone room, grain sitting in the shade, carbon print in a cool pigment. Work 8760.

Steel arch supports in a main road in a crush of men leaving the cage, the seam ran out in March. Work 8747.

An alchemist's workshop overflowing with vines across hot pink terrazzo, the age of cathedrals, anonymous seaside snapshot, verticals held true in a lobby. Work 8719.