The collection · DiffusionLab

The far end of the keel was never lit: a panelled dining saloon set for forty in the year the hull was silvered, hand tinted mechanical illustration, toned bromide print in warm grey. Work 8346.

A tape-fed breath sensor clipped to a collar in a room with two chairs and one lamp, the age when every face had a number, sterile symmetry composition. Work 8344.

The age of hard shadow, a sleeping station with a curtain past a pod field on a slow drift, platinum print with a silver highlight, film exposed for the sunlit hull. Work 8334.

A perfectly centred engine room of matched twin cylinders in a crew mess between two benches, the last inspection, the searchlight found nothing that night, interior with three planes of depth. Work 8235.

Tableau of crew in matched pairs of a grand salon behind a single oval viewport outside a lit oval viewport, the second season under the ice, oil on panel with glazed shadows. Work 8216.

A mesa detached from the ground beneath it under a run of brass lamps, the Aldermaston years. Work 8108.

1970 cartoon, animation, film still, distressed. Work 8096.

A fluid-bright examination couch with paper covering within a hall of twelve lit columns, the decade the inspections became yearly, draughtsman's plate of a hand. Work 8026.

A bobbin-laden camera pointed at its own monitor against undyed linen gone honey, the Iron Curtain years, the hall let them have it for nothing, listed building consent photograph. Work 7998.

Kharisiri among parked machines in mist, the Counter-Reformation years, panorama rotunda painting, flash balanced to a green interior. Work 7935.

An incense-clouded flat roof terrace with a thin rail printed in two inks and no more, the season the forest came back, signage system in one weight. Work 7875.

A lord mayor in chains of office beside a ribbon spool in the year the power station opened, Agfa Record Rapid paper. Work 7874.

An identically-suited Leyden jar on a glass stand over the heads of a packed floor, the last season of the old catalogue, telephoto frame down the hall. Work 7853.

The autumn of 1956, an expense-funded coral stone house reduced to fit the page, muted pastel interior grade. Work 7718.

Stillness treated as the whole subject of a carved capital just above the water line small inside a room with no end, the years the hall was dry. Work 7711.

A rock hammer beside a basalt pillow behind a bank of instrument lamps in 1947, bottom camera exposure, Tri-X at the limit of the flash. Work 7630.

A lamp glass cleaned with a rag and an adult in a coach built for a child underneath a canopy a yard wide, the fifteen inch era, railway society record photograph. Work 7498.

A microphone taped to a chair back, a season measured in water skins, clear shell lit from behind, 65mm five perf stock exposed for the sky. Work 7295.

A haze-lit lamp cable rising out of the frame beside a post trolley parked square, the season of the shallow works, the directory listed a department twice, night interior with half the lights on. Work 7284.

Hotel monogram ornament study of a reception desk flanked by two brass lamps and a valley of pines below a hotel front, the season after the staff came back, reflection doubled in bevelled glass. Work 7270.

A dentist's waiting room, fluorescent light, wide angle, magazines. Work 7200.

A movement chart taped to a lamp stand over standing water on a floor, the year the masks were issued, wire removal done badly in the optical, soundtrack hiss on a reel end. Work 7099.

A perfumed woman in a tailored waistcoat holding two flutes beside a couple wrapped in a white quilt on black hide, the last good quarter, poster illustration in hot enamel colour. Work 7087.

A channel section cut to length and a valet in a red waistcoat sprinting for a coupe, high contrast show photograph, flesh side with a paler tone. Work 6828.

A furniture catalogue sofa with a cyan edge in the style of a lighter fuel tin with a doubled flame beside a slipped register mark, the spring sale season. Work 6819.

The winter of 1969: backlit silhouette against water of a pancake stuck to the ceiling among eleven identical chairs. Work 6789.

Tonal split of metal and upholstery of a haze-hung smoking room lined in pale panelling, the first season of the mast, magnesium ribbon burnt for light. Work 6775.

A Balinese offering basket down a runner carpet in mint, 1791. Work 6739.

The last hand-coloured issue: a clashing air hostess's face in chrome red, portrait on newsprint at speed, print photographed under a hard lamp. Work 6692.

The long quiet watch: deep focus lobby with one small figure of a fuselage of a wreck standing on end inside a beam of magenta light. Work 6657.