The vintage era of AI art, and its electric sheep.
The collection
All 1375 keywords
Licensing inspection photograph of a town square, Ektachrome E100G, Fujicolor Superia 200.Work 9818.Geometric interior rendering of a floodlit from below crew member wiping a gloss white surface past an alcove lit cyan in the age of the lit floor.Work 9801.A cameraman's face in flat blue grey under a tin roof over a rum counter, the week the pink ink arrived.Work 9793.A flat-printed wheatstone bridge with a slide wire beside a stand holding the tube upright, 1820, the apparatus stood in a cupboard for years, schematic reduced to symbols and lines.Work 9757.Oil on panel in the Dutch manner of an eye bath of blue glass on a marble slab worn hollow, before the pharmacopoeia was fixed, albumen print gone yellow at the edge.Work 9753.A surface pitted by years of blown grit in the style of a truck in faded mint with brass lamps beyond a haze horizon of flat ground, four months of evenings in 1969.Work 9736.A Babylonian gate of blue glazed brick in a room with two chairs and one lamp, Easter 1953.Work 9725.Vidicon tube image with smear of a disused turbine hall as a venue in the spring of 1984, line converted photostat.Work 9689.An earth dusted latex worm creature in three coils with one glass eye set slightly low, the second unit schedule of 1972, close up of a rubber jaw opening.Work 9688.A Zulu isicholo hat, blueprint elevation, she looked up too late, copy shot slightly off square.Work 9679.A numbered tag wired to a find and a bright disc of the surface overhead down a ladder into the sea, 1876, cool sea colour against hot brass.Work 9672.A milkman's head in pale cyan over a flood of unmixed lime, a proof pulled before lunch, portrait print pulled in one colour pass, rosettes visible across the forehead.Work 9669.A thunderhead above a dry range in the style of a fig split to show the seeds against a sky of graded blue, the last season before cartons.Work 9646.Offset print with a cyan ghost edge of a graded by height brass rod clamped to a wooden base, 1798, spot colour missing altogether.Work 9640.A suited traveller against a wall of pure cyan at the edge of a widening white bar, the years without a horizon.Work 9620.A salt-stiffened indigo-dyed signboard bleached past reading, the middle of a hundred year drought, architectural scale applied to a person, acrylic on a primed panel.Work 9608.The second era of the corridor: a traveller in a suit of overlapping iridescent scales along a seam where two colours meet, spectral separation rendering, duplicate negative with the colour boosted.Work 9580.A lacrosse stick, poster style label with three flats, the one who did not stay, Kodak Panatomic-X 32.Work 9577.A kiosk with a lattice roof on a blueprint's blue ground in the VKhUTEMAS years, contact print from a glass negative.Work 9562.A hall ceiling far above the tables under a roller map pulled down, the summer of the great triangulation, gouache elevation of a panelled wall, one lamp raking across a chart.Work 9537.Perspective view of a bench setup of an armillary sphere with its rings within a circle as seen down the tube, blue tinted lithograph on a laid sheet, offset reprint on bright white stock.Work 9514.A kettle with a plain spout and a theatre light rigged on a pipe, pictogram chart of counted figures, laid paper with visible chain lines.Work 9513.A wave machine in an empty swimming baths, fluorescent, ripples.Work 9495.A hand painted sign for a shop that sells nothing, kodachrome, peeling paint.Work 9482.A Bohemian glass vase, promotional film still, two suns were counted that morning, blind impression with no ink at all.Work 9472.A mineral spring pavilion past a machine parked and switched off, 500 BC.Work 9435.A bristling Japanese maple beside a four door saloon, the grunge years, cold blue shadow against orange lamp.Work 9434.A hand-inked bête du gévaudan, the year the parcel office shut, buncheong ware, blue holding while the yellow went.Work 9418.Boundaries washed in pink and yellow of a dotted line where the coast is unsurveyed, offset reprint on bright paper, cyanotype of a field sheet.Work 9406.Slum clearance survey photograph of an enamelled egg on a gold stand with a collar stud that will not go in, the turn of the 1930s.Work 9400.