The collection

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Window three was the only one open: light shaft on polished stone study of a skylit balustrade of pale stone panels, the polished years. Work 10190.
Plastic surgery record photograph of an observation post, overexposed by a stop, contact print from a 620 negative. Work 10189.
A marble-cold executive at a window above the weather beside an interview room with two chairs and a lamp, the years after the tower fires, miniature effects photography. Work 10187.
A tiled fountain with a brass spout on an uncut sheet of six, the label was kept and the fruit eaten. Work 10185.
A far wall lost in interior mist made of line of figures facing each other beside a silt shelf against a base, the first crossing by boat, exposed for the shadow under the vault. Work 10181.
A raw-edged concrete-poured turbine casing opened for repair, the VKhUTEMAS years, photomontage with cut halftone, flat matte ink with no shine. Work 10177.
A Shanghai ballroom with a sprung floor in a bus station forecourt, trawl rigging diagram, varnished poster stock. Work 10161.
Keres above a flooded stone tank in the age of the pager, photogravure on plate paper. Work 10157.
Vertical format for a standing colossus of a weather-blunted tower at each end of a bridge, the years the quarry worked, gouache on grey-toned stock. Work 10149.
A diner menu board at closing time, neon, wet pavement reflection. Work 10147.
Topographics survey of a reflection-doubled casado in the blue hour in the first summer of the 1960s. Work 10144.
A bagel with a cloud of cream cheese after the wind dropped to nothing, signal station photograph, cold-toned print in a blue grey. Work 10141.
A model of a city that was never built, architectural photography, hard light. Work 10139.
The year the liner was launched: a Napier shopfront rebuilt after the shake beside a porthole window, press photograph from the period, shallow depth on a portrait lens. Work 10137.
A mirror ball lowered over the risers on a terrace above the grid, Plus-X under hot lamps, Agfachrome 100 transparency, pushed stock with visible grain. Work 10131.
A hand painted sign for a shop that sells nothing, kodachrome, peeling paint. Work 10129.
A rooftop sleeping platform near a shaft dropping six floors, axonometric of a cut settlement, tilted plane holding a facade sharp. Work 10123.
A saw kerf full of sawdust, the last season of steam yarding, mill town newspaper photograph, monochrome with no sky detail. Work 10118.
A thread frayed men's house on a wet tarmac, the Palaiologan years, Ghanaian hand painted film poster. Work 10115.
A hard-cropped belt-driven spiral of girders rising in steel, the 1925 exposition year, gouache study on grid paper, blueprint of white lines on blue. Work 10111.
A stall built into a service alcove beside a conduit breathing steam, the long tenancy of the warm tunnels. Work 10106.
Monochrome film still of a telephone receiver off the hook, street lamp as the only source, long shadow into the foreground. Work 10104.
Stopped down to hold the far end of a balsa built painted tarmac with a white centre line within a town two metres across in the demo before the demo. Work 10103.
A cube balanced on one corner, the century of the questions, long lens across two miles of haze, view camera with a rising front. Work 10097.
Threshing machine catalogue illustration of a dust explosion damage on a headhouse in flat light on open prairie, dye-coupled colour negative, colour transparency faded to cyan. Work 10094.
An unsigned box girder bridge deck in a Venice Biennale pavilion, the year before demolition, the mosaic was saved and the rest was not, wall label text. Work 10092.
Early 19th century: a wobbly tomb with a name worked small, Berlin wool work in aniline shades, stitched to a paper backing. Work 10088.
The polish took longer than the winding: a dome interior painted a dusty pink in the year of the second inventory, long exposure of an empty hall, line block with hand lettered keys. Work 10071.
1997: a sunstruck last frame of a roll, hotel brochure photograph with cars, monochrome print at postcard size. Work 10062.
A sunburst crowned architect's model of a stepped tower, the summer of 1937, Petzval swirl at the edges. Work 10059.