The collection · DiffusionLab

A bottle-green man in a straw boater with a silver trophy, the first weekend in June, sheet fed gravure plate. Work 8345.

A gloss white suited pair carrying a sealed white case, the era before the hatch was named, backlit interior study, fine grain positive print. Work 8321.

A movie poster for a courtroom drama, high contrast, hard shadows. Work 8304.

A suited figure on a curved white ramp and a clapperboard held up for the second take, gouache illustration of a finale, time base wobble in the blacks. Work 8278.

A battery stall with terminals bare, a winter far down the next century, dense foreground occlusion, polarising filter on a deep blue sky. Work 8254.

Test footage of a walk cycle of a lamp warmed plasticine doctor with a wire stethoscope, a wet Tuesday in 1966, lab scratch across a bright area. Work 8199.

A sunburst-gold bandleader in a bishop collar coat, the summer of 1974, Plus-X with two hard heads. Work 8164.

Charmingly stiff street scene of a glue gone shiny along a joint with a scale figure at the kerb, a spare bedroom in 1971. Work 8137.

A man in a cream jacket betting on the tie beside a doorman in gold braid, she tipped in the highest colour they had. Work 8048.

A woman in a scarlet dress on a pit gantry and a commentator in a blazer with a microphone on the pit lane wall in full sun, the gold livery years, lithographed circuit poster. Work 8003.

A traveller with both hands spread against light and a suited figure against a bar of saturated pink, wide gauge abstraction with a figure, print with the streaks rendered sharp. Work 7986.

A lord mayor in chains of office beside a ribbon spool in the year the power station opened, Agfa Record Rapid paper. Work 7874.

A pennanted porter's trolley stacked with cases, the first postwar summer, poster reduced to five shapes, machine-coated stock with a sheen. Work 7805.

An annotated in red biro-scrawled woman in a red blazer signing at a dealer desk, the middle years of the 1960s, boat mounted camera frame, large format plate shot on steel. Work 7796.

1970 cartoon, animation, wes anderson style. Work 7734.

A moustached crowd of eight faces in one colourway, the week the pink ink arrived, print pinned through four corners. Work 7721.

1970 cartoon, animation, wes anderson style. Work 7686.

Quantel Paintbox graphic of a morose bonnacon, the Spanish Transición, hot specular hits on rhinestones. Work 7613.

1970 cartoon, animation, wes anderson style. Work 7590.

1970s cartoon, wes anderson. Work 7552.

1970s cartoon, wes anderson. Work 7551.

Colour balanced warm and left there of a man in a dinner jacket betting by nodding and a man in a striped tie betting against himself, the small hours, 6x7 colour negative on a tripod. Work 7540.

A man in a yellow badge grinning at a ticker in the style of a man in a tan jacket vaulting a rail beside a tangle of handset cords, a Monday in October. Work 7532.

A man in a blazer pinning a rosette to a shirt in the style of a steward carrying eight glasses on a tray on the balcony above the court, finals weekend 1968. Work 7522.

A magician's face in flat indigo photographed as a palm leaf manuscript, opus anglicanum in split stitch, scratched negative printed anyway. Work 7405.

The cover was finished in one afternoon: a list of thank-yous running down a margin in the twelfth issue, high contrast line conversion, photocopy on pink copier paper. Work 7343.

Quirky 1960s claymation scenes, cinematic, monsters and heros. Work 7326.

A reckless reporter with a flashbulb and a fedora in a wet March in 1951, flat proof before the black went down, creased spine with white breaks. Work 7292.

A crew member counting panels along a wall and a figure in a white suit lit magenta at the collar along a floor of lit white panels, the white decade, pale hard-light rendering. Work 7273.

The grande saison: spotlight on the baize and darkness beyond of a man in a dinner jacket with a rose in the lapel at the head of a marble stair. Work 7198.