The vintage era of AI art, and its electric sheep.
The collection
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Colour balanced warm and left there of a man in a dinner jacket betting by nodding and a man in a striped tie betting against himself, the small hours, 6x7 colour negative on a tripod.Work 7540.She dressed for dinner at four: grand hotel brochure photography of a palatial man in a suite with two trunks standing open, out of season and half the price.Work 7528.A cream-painted man in a boater with a silver hip flask, the Whitsun meeting, bounced flash off a white awning.Work 7479.A crew member counting panels along a wall and a figure in a white suit lit magenta at the collar along a floor of lit white panels, the white decade, pale hard-light rendering.Work 7273.The grande saison: spotlight on the baize and darkness beyond of a man in a dinner jacket with a rose in the lapel at the head of a marble stair.Work 7198.A movie poster for a film with one location, minimal, bold type block.Work 7152.A suited figure beside a tank taller than a hall, the second generation of gantries, wood engraving in a weekly paper, heavy-black chromogenic print.Work 7065.The open outcry years: publicity still from a gambling film of a man in a dinner suit betting with a pen in hand at a table with the shoe in its box.Work 7016.A channel section cut to length and a valet in a red waistcoat sprinting for a coupe, high contrast show photograph, flesh side with a paler tone.Work 6828.A suit hung on a wooden frame, the third watch of the old order, overcast light with one break of sun, ambrotype with a deep green ground.Work 6814.A rail-tracked survey party standing in a straight line in 1862, no visible source and a full exposure, gelatin dry plate on a weighted stand.Work 6810.Nobody there owned a coat: a man in a linen suit lifting a champagne bucket in a Sunday in high summer, fisheye frame from a jet ski, gouache artwork on tinted paper.Work 6742.She won the fare home and stayed anyway: wide shot of a crowded pit of a mirror-doubled man in a tuxedo with one hand on the rail, after midnight.Work 6690.The February holidays: hotel publicity photograph of a men in evening dress on a moonlit piste on the top terrace at noon.Work 6681.Two-up layout copied and guillotined of a cover with the title cut into a photograph, photostat mounted on thin cardboard, biro on lined paper then copied.Work 6675.The front room before the move: Hyalotype lantern slide of a lace edged tombstone carver, harvest time 1968.Work 6632.A gentleman in white tie made of marquee on a lawn at Newport in the season, the first season after the war, slight motion in the hands.Work 6432.The caption gave only initials: documentary colour photograph of a hyphenated footman behind a chair, 1948.Work 6404.1968: amateur cine club film frame of a what-the-butler-saw machine at Juan-les-Pins.Work 6332.Ancestral portrait of an unamused debutante's first waltz, 1924, tungsten light in a studio.Work 6253.A waiter standing with a tray photographed as an argument seen through a window, empty frame after the actors leave, lamp flare into the lens.Work 6242.A top hat carried under an arm and a freeze frame on a smiling family, sign on test pattern frame, flying spot scanner highlight flare.Work 6237.A champagne bucket on a banquette, the peak of the disco boom, formal group photograph, hot spot on a sequin.Work 6041.A blazer with club colours, the Argentine Proceso, Georges Barbier style plate, varnish over printed tin.Work 5998.Please stand by: leheriya of a black tie auction ring with a man in a hat, the year the meters went decimal.Work 5855.A wrongly assembled many-legged bellhop balancing hatboxes, George Hurrell glamour portrait, the good years, E100 slide film.Work 5720.A hollow eyed skittish hákarl, the Reconstruction era, blurred distant figure photograph, Fuji FP-100C peel-apart.Work 5624.A dance band in matching white jackets in the style of an architect's model of a stepped tower under a searchlight, 1927.Work 5584.A cloakroom wrongly addressed showman's engine, kodachrome, saturated, hard shadows.Work 5495.A jurassic bellhop balancing hatboxes at night in a greenhouse, paint by numbers, Ektar 100, anamorphic lens.Work 5325.