The collection · DiffusionLab

A resolute wind slab cut into blocks at seventy degrees north, 1903, museum exhibition enlargement. Work 7955.

Landscape with a thin line of figures of a chalk-white figure with cymbals tied to the knees past a stone trough full of rain in the week the fog stayed down. Work 7920.

A trench with walls polished smooth, after the fourth attempt failed, three quarter view on an upright mass, edge softness left in the corners. Work 7904.

Charcoal study with a blocked mass of a lift lobby faced in rough concrete, casein on a prepared board, architectural transparency on daylight film. Work 7816.

Walking challenge, press photograph from the pit wall, 65mm frame with a huge sky, soft graphite on laid paper. Work 7741.

A herd of small dark cattle on a green shelf beneath a relief of a coiled serpent, single figure held small against stone, film stock pushed one stop. Work 7559.

The Weimar years: a pavilion of concrete and glass on a mirror with a hard edge, geometric abstraction in flat colour, laid paper with visible chain lines. Work 7377.

A wind-filled light releaded in the wrong order in the Quiet Revolution, Agfacolor CN17, print with the marble dodged down. Work 7121.

The upper floors were never opened: monochrome with a cold concrete grey of rectilinear weep holes streaking a concrete face, the second building programme. Work 7098.

70mm widescreen plate on a white pan of a block wall keeping the wind off, vignette barely visible on white, 8x10 plate with a deep yellow filter. Work 6878.

The week the plant stood empty, a synthesiser built into a steel case in front of rolling scan lines, lith print with crushed midtones, dust specked enlargement. Work 6824.

A door of steel plate set in concrete in the style of a slab wall with a grid of deep windows without a tree anywhere in sight, the second era of the quarries. Work 6790.

Survey frame with the horizon level of a stair landing with one bulb burning and a tower of raw concrete on a rock spur, the last of the great pours, acrylic on a concrete-toned ground. Work 6727.

The year before demolition, a board marked concrete wall along an access deck, dust and scratches from the archive, rise on the front standard. Work 6565.

A school hall with clerestory glazing along an access deck, hard midday sun on concrete, grey sky with no shadow, dusk exposure with the lights on. Work 6476.

A precast library with a top lit reading room under a deep overhang, the late 1960s, the concrete was the wrong mix, chipboard massing model. Work 6438.

A bush hammered concrete pier, serial typology of structures, the lifts have been out for months, low winter sun raking a facade. Work 6324.

Oblique aerial photograph of a bush hammered concrete pier, tungsten balanced interior, bounced light off a white soffit. Work 6240.

A steps with a rusting handrail beside a chain-link gate, the film sat in the camera a year. Work 6216.

An openly sulking patterned carpeted storm drain outfall, Easter 1968, gelatin silver print, available darkness. Work 6199.

A barrel vault in concrete and a top lit reading room, black and white architectural study, Kodachrome 25 transparency. Work 6029.

A desert proving ground with a bunker on a launch pad at dawn, the pavilion lasted eighteen months. Work 5864.

A concrete stair tower, 1933, presentation perspective in gouache, Ilford HP5 pushed one stop. Work 5793.

A wind tunnel with nothing in it, oil on panel, dark ground. Work 4915.

VHS tracking error of a chimney sweep's brush on a limestone pavement, Agfa APX 100. Work 4797.

Little league team photo of a horse trough in a cold store, CRT glow. Work 4765.

A weighbridge with nothing on it, overcast, wide angle, concrete. Work 4713.

A sundial, long exposure, wide angle, stone. Work 4461.

Csontvary canvas of a tin of shortbread in a fever dream, council estate grey. Work 4414.

A serial-numbered cantilevered relay baton, Brancusi sculpture, the first of many, roadside shrine candle. Work 4379.