The vintage era of AI art, and its electric sheep.
The collection
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A lamp with barn doors on the grid under the arch of the Starlight Stage, it went out on a Saturday and everyone saw.Work 9131.A near-empty single steel hatch numbered 04 in a blank wall, the closing schedule, sectional schematic of a wall, hand tinted print in pale colours.Work 9121.1970s country club building, modern art, Project film, print with a retouched background. damaged film, film grain.Work 9092.The old survey of the way, a sand-drifted bridge wide enough for two colossal figures carved before the road was paved, section through a bridge pier.Work 9083.Quirky 1960s constructivist robot, modern art, Project film, print with a retouched background. damaged film, film grain.Work 9077.The century the pumps never stopped, a low-ceilinged kettle set on a hot pipe deep below the street, painted plate of an underground city.Work 8975.Epic interior film still in cold light of a lion head spout dry in a wall and a water level marked round every shaft, the age of the inner court, halation soft around the roof opening.Work 8912.Silhouette cut against flat colour of a revolving stage with a long ramp against a wall of raw brick, the first years of photomontage, gelatin silver print on matte paper.Work 8892.The age of hard shadow: frontal composition with the figure centred of a spoke tunnel running out to a rim deck beside a vent hissing steadily.Work 8857.Summit panorama joined from plates of a knife edge test in a dark corridor down a long spectrograph well, the late 1890s, halation halo around a bright star.Work 8818.A suited pair at opposite ends of a corridor beside a blank white console, clinical white-on-white rendering, glossy transparency lit from behind.Work 8764.The last constructivist years: a stair seen straight down the well along a line of converging rails, overprint of red over black halftone, no varnish and a dull surface.Work 8759.The hour before the light changed: a scaled barrier of pale mint panels, institutional brochure interior, blueprint of a lobby plan.Work 8750.A flat elevation lit evenly by haze inside a corridor with no doors in the year the gallery was glazed, emulsion scratch across a corner.Work 8749.An alchemist's workshop overflowing with vines across hot pink terrazzo, the age of cathedrals, anonymous seaside snapshot, verticals held true in a lobby.Work 8719.Main titles over a plaster ridge of a hard lit hardboard floor drilled in a grid, the second unit schedule of 1972, exposure step between two frames.Work 8677.Corporate annual review frame of a shaft of amber light falling on a stone floor in the quiet tenancy, mixed daylight and tungsten cast.Work 8670.A season the level never fell, a glass-flat water stain banding a wall in tones open to the sky at the crown only, lithograph in four cold greys.Work 8655.Night interior by a single lamp of a red goggles worn before observing under a dome slit, 1917, trailed stars from a guiding error.Work 8633.A Polish amber chandelier under corbels carrying a road out, blue and white porcelain plate, polarising filter on deep water.Work 8616.A shadow of a rail across concrete along a band of ribbon windows, white space treated as a shape, wood type printed over a flat ink.Work 8613.The water rose a little every year: green-cast fluorescent interior of a sump-side runner sprinting a lit corridor, the age of the improvised circuit.Work 8570.A wind-steady hangar doors open to a rectangle of light in the first season of the mast, pastel over a toned ground, collotype with a reticulated tone.Work 8556.A lintel cracked by a trunk and a cloth tied around a stone pillar, enamel on copper in a small oval, tungsten stock in a stone room.Work 8532.The years of the survey: a wet stone holding a violet sky through a gallery of columns, held wide shot of a courtyard, 65mm negative on warm stone.Work 8525.The winter the wing was shut: a funicular-served planet projector on an armature, pastel study of a lobby, mimeographed programme page.Work 8496.Tableau in a stone courtyard of paper flags strung between columns in one year after the road closed, print with highlights held down.Work 8474.A dust hanging in a lit doorway photographed as a gantry rail painted faded pink, uniform study in flat light, fine grain film on a tripod.Work 8467.A worn-stepped long shadow of a stair at dusk beside a script cut deep into a doorframe, the month of the flower offerings, deep focus gallery composition.Work 8450.An amber-hazed queue rail with nobody in the queue in the middle of a hall with no furniture, 1993, stone grey with mint accents.Work 8442.