The vintage era of AI art, and its electric sheep.
The collection
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Quayside study in watercolour of a pale mint wheelhouse compass in a binnacle, the quiet decade, pastel palette on faded stock.Work 8407.A sky full of starlings over a pier, black and white, motion blur.Work 8354.Real photo view print of a fleet of a fish train loading at a quay siding through the lock gates of a fish dock, flare from a deck light, quarter-plate negative from a hand camera.Work 8261.A chicha morada astern of the towing ship, the autumn of 1987.Work 8253.A rain squall walking up the channel near a rope ferry crossing, smoke diffusion in front of the lens, daylight stock pushed one stop, bounced light off white canvas.Work 8205.The baths were built too late: an inrush water pumped from a sump in 1900, seaside resort harbour poster, watercolour wash on cold pressed paper.Work 8030.A woman in whites sitting on an umpire chair across Melville Bay, 1913.Work 7937.A leading marks for a harbour entrance beside a cartouche in the lower right, after the surface was left behind, photozincograph from an engraved original, large format negative in hard sun.Work 7885.The Olivetti years: a chapel on a traffic island beside a pier standing in white water, institutional annual plate, steel engraving on plate paper.Work 7857.A late sun striking one column only and a fresco fragment above the water line, boat placed small for scale between columns, exposed for the shadow under the vault.Work 7826.A man in a mint suit holding a marina key in the style of a woman in an electric pink jacket on a jet ski on a boardwalk lined with skaters, late in the eighties.Work 7781.Atmospheric layering cinematography of a boatman standing with one pole among buttress roots, negative developed by inspection, still photographer's colour negative.Work 7775.1906: a lamp-yellowed barrels ranged along a quay, harbour plan in ink and wash, negative with rust marks from a tin.Work 7768.Pastel chalk illustration on tinted paper of a woman in a turquoise sash cutting a boat ribbon with a marina full of masts behind, the hottest week of 1987.Work 7757.Blueprint elevation of floor-length poker between matched bollards on a jetty in the Brutalist years.Work 7747.A fishing harbour at low tide, kodachrome, mud, ropes.Work 7482.A greenshank at the edge of a pool between two dead pine trunks in 1785, counterproof taken from a damp print.Work 7241.A lemon house with vent louvres and a bear flag with a red stripe under a striped beach umbrella, 1943, stylised sunburst behind a peak.Work 7209.Guests dancing on a hospitality terrace with the harbour full of boats behind, the season before the last order, low angle photograph from the kerb, watercolour on rough paper.Work 7164.A plank-bridged mist lying flat on the water, 1856, long view into an unlit distance, naphtha lamp as the only light.Work 6998.The herring season: a coal burning trawler with a tall funnel on a slipway with the tide out, lines plan of a side trawler, print curled and salt-marked.Work 6852.The parrot belonged to the bar: a man in a lilac jacket holding a marina flag in the boom on the waterfront, slow shutter frame of neon at dusk, print with the blues pushed to ink.Work 6840.The last dry winter, a column base moulding under clear water under a drip falling from a rib, long exposure of four minutes, silver gelatin on matte fibre.Work 6702.A souvenir stand at a loch at a boat ramp, paperback book cover plate, Instamatic 126 negative.Work 6596.Engraved glass goblet of a badly framed single line token instrument at a marina slip in the autumn of 1964.Work 6595.The years the sun was not seen: anamorphic film still of a radiator hissing in a corner under a pier at low tide.Work 6495.A porter carrying two cases up steps aboard a liner at sea in the first season after the war, web offset brochure printing.Work 6487.A multi storey car park facade on the Lido di Venezia, the year before demolition, black and white architectural study, tripod at eye level with no tilt.Work 6453.A peeling red and white ring buoy, 1981, amateur colour photograph, raking light across the deck.Work 6444.A rowing boat pulled up on shingle on the top deck of a pier, low northern sun, Kodacolor 400, Kodak Tri-X.Work 6369.