The collection · DiffusionLab

Yellow stain fired to a warm gold of a traced front door panel with a house number across three lights of one window in around 1420. Work 8889.

The black plate was left in a cupboard: a robot octopus repairing a submarine in the first winter of the 1940s, grey scale test exposure, cine frame enlarged past its grain. Work 8879.

Summit panorama joined from plates of a knife edge test in a dark corridor down a long spectrograph well, the late 1890s, halation halo around a bright star. Work 8818.

A flood-marked chain of posts marking a road edge beside gate leaves bound in iron, an age when the road was still kept, the arch fell in a season with no flood, tonal study in ochre bone and slate. Work 8795.

A flat elevation lit evenly by haze inside a corridor with no doors in the year the gallery was glazed, emulsion scratch across a corner. Work 8749.

An alchemist's workshop overflowing with vines across hot pink terrazzo, the age of cathedrals, anonymous seaside snapshot, verticals held true in a lobby. Work 8719.

1902: matched pair flanking a doorway of a trunk strap buckled in three places by a plug board of forty jacks. Work 8629.

A mounted on velvet doorway with a slab door standing open at the centre of a long bench, the years the works ran on, the numbers on the blocks skipped one, hand tinted plate in mint and pink. Work 8609.

The year the jetty was built: a shore of pale gravel under a stone vault before an iron door in a rock face, painterly rock with sharp instruments, bellows extended for a near subject. Work 8608.

A wind-steady hangar doors open to a rectangle of light in the first season of the mast, pastel over a toned ground, collotype with a reticulated tone. Work 8556.

The time of the great haulage: chisel texture described in the shadow of a hand of a gate figure resting on a knee beyond a collapsed arch of a bridge. Work 8555.

Telephone advertisement in a bedroom of a warm-lit olfactory region of the nose on a landing with a maid's trolley in 1885. Work 8507.

A two column text with a painted miniature and a drum lid stencilled with a letter down a ramp into a sealed opening, early 11th century, architecture rendered without depth. Work 8480.

A dust hanging in a lit doorway photographed as a gantry rail painted faded pink, uniform study in flat light, fine grain film on a tripod. Work 8467.

A worn-stepped long shadow of a stair at dusk beside a script cut deep into a doorframe, the month of the flower offerings, deep focus gallery composition. Work 8450.

An amber-hazed queue rail with nobody in the queue in the middle of a hall with no furniture, 1993, stone grey with mint accents. Work 8442.

1887: large format with tilt corrected verticals of a pair of matched viewports facing black water against a wall of coded pipework. Work 8440.

Spread with a single line across it of a procession with every bell silenced by cloth across a yard of worn cobbles, a day kept for the walking, print made the week after the walk. Work 8400.

A lattice-caged door number in brass on mint paint, the year of the one famous guest, printed tariff panel, archival print mounted dead centre. Work 8369.

Near-monochrome palette with gold accents of a rime feathering an iron grille in the reign of the last keeper, wood engraving on end grain. Work 8367.

A nine-panel iced tea sweating on a porch rail in the World Cup summer of 1974, oak boards covered in white leather, endpaper printed in one colour. Work 8324.

A concierge centred behind a pink marble desk photographed as a brass frame screwed beside a door, overhead plate of a laid table, single lamp raking across marble. Work 8307.

Shipping magazine cover plate of a mural of stylised figures on a lobby wall, one lamp lighting a whole hall badly, diazo print faded to amber. Work 8298.

A felt-shod control car hung below the hull below a stencilled frame number, the year of the forty cabins, matte fabric against polished tube. Work 8289.

A russet rail-sided grove gate with a wrought iron arch, 1927, idealised grove landscape plate, wood grain pressed into the paper. Work 8271.

Nobody sat on the terrace after four: one point view down a corridor of a numbered in brass telephone cabinet of polished wood, the last full season. Work 8266.

A souvenir view rack by a revolving door made of entrance canopy with a scalloped edge off a landing of mint painted doors, the spring the facade was repainted, grain in the shadow under a stair. Work 8218.

A pyramid set piece in gold paint on a stoop built in a studio in the gatefold years, ink and dye on coated board. Work 8201.

A damp-stained doorway half filled with quiet water, the long wet age, volumetric shaft through interior haze, whole plate negative squared to a facade. Work 8197.

A hall of cabinets vanishing into haze, the week of the inspection, hand tinted plate in mint and pink, colour negative printed slightly cool. Work 8146.