The collection · DiffusionLab

Face-on figure standing on the bottom of a chamber gauge read by an attendant at the knee of a carved figure, gum print over a platinum base, daylight only at four fathoms. Work 9819.

An oil-slick felt duck with webbed cardboard feet inside a room hung in black wool, the early 2000s, school programme insert film. Work 9813.

A calico bodied bird of paradise headdress at the end of a long platform, the Counter-Reformation years, topographical collection print. Work 9809.

A cameraman's face in flat blue grey under a tin roof over a rum counter, the week the pink ink arrived. Work 9793.

A pale mint cashier alone behind a lit window through a doorway with a numbered plate, the audit decade, the fountain had been dry for years, locked off interior cine frame. Work 9768.

Severe frontal framing of a gateway of a Terylene ijiraq, the Streamline Moderne years, Wollensak Verito. Work 9755.

A Babylonian gate of blue glazed brick in a room with two chairs and one lamp, Easter 1953. Work 9725.

Hard shafts through a slatted blind of a subject leaving between two attendants, anamorphic with a cool streak flare, line illustration inked on film. Work 9723.

A pressure-tight line tender with rope over his shoulder in the second season under the ice, collodion positive on glass, chromolithograph in eight colours. Work 9714.

Rendered in one flat blaze of light of a face veil beaded along its lower edge outside a shelter with no roof, slow emulsion holding a deep black, photochemical grade with a warm base. Work 9712.

The atlas was bound out of order: a figure at the hub of a rotating floor in the era of the sealed interiors, severe architectural rendering, plate with the tissue guard still bound in. Work 9652.

A shaft of sun standing in a gallery inside a corridor with a bright end, dream sequence stone still, long lens stacking the towers. Work 9643.

Brick-red two ranks of ringers facing each other, two hours before noon, frame with the last figure half in it, negative with the notch code showing. Work 9641.

A suited traveller against a wall of pure cyan at the edge of a widening white bar, the years without a horizon. Work 9620.

A bandsman's head in hot red beside a fairground booth front in a session in 1975, portrait in chrome yellow and violet, print taped to a studio wall. Work 9614.

A salt-stiffened indigo-dyed signboard bleached past reading, the middle of a hundred year drought, architectural scale applied to a person, acrylic on a primed panel. Work 9608.

A renaissance portrait of a crow with a signet ring, chiaroscuro. Work 9607.

The wedge years, a man in a leather blouson beside a turbo badge beside a doorman at a brass rail, print with the corner clipped for a file, monochrome print on glossy fibre paper. Work 9605.

The month of the flower offerings: location cinematography in ruins of a path through forest to a stone door in green haze along a colonnade. Work 9597.

A relief globe of moulded plaster and a title block lettered by hand past a brass turnstile at a door, the spring the globes arrived, lit to read every sounding figure. Work 9593.

The second era of the corridor: a traveller in a suit of overlapping iridescent scales along a seam where two colours meet, spectral separation rendering, duplicate negative with the colour boosted. Work 9580.

A figure narrowed to a gleaming stalk made of figure in a girdle of nacre buttons near a doorway with no light behind it, the third night of the same setup, print laid under glass for the gloss. Work 9560.

A man in a striped blazer carrying two toboggans outside the lift house door in 1990, hard flash with a polished reflector. Work 9557.

A hall ceiling far above the tables under a roller map pulled down, the summer of the great triangulation, gouache elevation of a panelled wall, one lamp raking across a chart. Work 9537.

A doorway cut into the side of a dune, the second era of the rigs, frame built on one long diagonal, 8x10 negative on a heavy tripod. Work 9536.

A light-barred cut path with towers at the end beside a cicada noise in a stone corridor, a day the stone stayed cool, high angle over a complex. Work 9535.

A nurse in a Pacific field hospital on a rain-black street in the fourth printing, impasto highlights over a thin wash, staple rust marks on a digest. Work 9492.

Outside broadcast camera frame of a bottle sparkler held high in a booth and a whole floor singing one line together, the spring of 1980, push-processed grain in the shadows. Work 9490.

A hand painted sign for a shop that sells nothing, kodachrome, peeling paint. Work 9482.

Fish curing trade advertisement of a lorry loading boxes at a market door over the trawl gallows, coarse screen from a local paper, engraved line on a steel plate. Work 9468.