The vintage era of AI art, and its electric sheep.
The collection
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A souvenir view rack by a revolving door made of entrance canopy with a scalloped edge off a landing of mint painted doors, the spring the facade was repainted, grain in the shadow under a stair.Work 8218.A pyramid set piece in gold paint on a stoop built in a studio in the gatefold years, ink and dye on coated board.Work 8201.A loading dock cut into a cliff base beyond the last finished block, he argued it and still shook hands.Work 8105.A magenta-hazed temple gate with a carved face under a canopy pressing on a wall, the last of the wet months, the smoke would not leave the gallery, unhurried held composition.Work 8102.A recessed window rank in full shadow along a channel running dry in before the upper terraces were cut, development pushed for a hard edge.Work 8033.A tunnel mouth squared out of rock within a courtyard open to the sky, shift lens elevation of a facade, dust specks printed into the sky.Work 8000.A figure in mirrored lenses among carvings, a day the stone stayed cool, low angle up a stone stair, print graded warm on the stone.Work 7958.A vapour-wreathed lift bank of eight numbered doors, a spring of long daylight, long lens at two hundred millimetres.Work 7954.The spring of 1952: a cedar-shadowed Iznik tile, teal shadow under a viaduct arch, minilab balance gone warm.Work 7842.A mile-deep sculptural headcloth snapping in a rising thermal, the age of the walking routes, architectural scale applied to a person, gate weave on a very long hold.Work 7824.An espalier pear on a warm wall under a hat brim in strong sun, 1914, ornamental border struck from brass rule, gloss varnish over a flat panel.Work 7788.Stillness with one moving cart of a flood-marked shaft of light falling through a gate between two colossal gate figures in an age whose end is not recorded.Work 7690.A shutter half down on a closing shop and wet cobbles under mixed colour at a hatch cut into a shutter, the age when signage outlived the state, photojournalism under mixed signage.Work 7648.A cribbed elevator with a steep cupola roof, mill engineering sectional figure, grandfather waited six hours to unload, tape stain along a print edge.Work 7515.The years the shrine was tended, a cold-toned arch of dressed stone under branches with the light coming in level, museum case lit from one slot.Work 7485.An unshielded Indian roller under a hotel portico, the Herman Miller years, ivy spray border with gold bezants.Work 7380.The long renovation: a skylit turnstile bank of five identical gates, volumetric skylight haze study, archive print with a filing number.Work 7096.A gate latch off the edge of a monitor wedge in the summer of 1940, flatbed scan of a foxed leaf.Work 6911.The end of a long afternoon, a garland laid across a stone lap in an empty inner courtyard, wet gate dupe of a survey reel, archival positive with green shadow.Work 6815.The year the line was relaid, an ochre-canvassed gate of white bars across a path built to a fifteen inch gauge, haze lit interior exposure.Work 6801.A door key in nine flat squares, a signed edition, serial panel work in commercial inks, screen clog leaving a pale patch.Work 6766.A windowless slab centred in amber dust along a straight approach road in the survey years, sectional schematic of a wall, shift lens keeping verticals true.Work 6724.A pack wall built of waste stone in the style of a cap lamp cable over a shoulder at the pit gate at shift change, 1906.Work 6649.A temple gate at the top of steps, diazo print, the competition was won and shelved, sun flare across the lens.Work 6599.A streamlined bronze bat over a granite entrance in an elevator lobby, the boom years, press photograph from the period.Work 6574.The mosaic was saved and the rest was not: Bechers style typology of a lichen spotted sgraffito panel on a stair tower, the reconstruction years.Work 6484.A sentence set in vinyl lettering beside a doorway in 1981, film loop projected on a wall, one colour screenprint.Work 6473.Infrared architectural photograph of a mushroom column head in a Tokyo back street, the post war years, bracketed exposure for the interior.Work 6455.Town guide photograph of an amusement arcade doorway in the early 1970s, whip pan across the beach.Work 6406.The year the works opened: a newspaper kiosk at the Paradise Garage, light struck negative, Eastman Double-X 5222.Work 6307.