The vintage era of AI art, and its electric sheep.
The collection
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Engineering plate with a scale figure of an only wet ground for fifty miles, oil on canvas with a warm ground, shimmer over a far thorn fence.Work 7267.Scale comparison figure with a man of a converter on its side being charged above a sump running full, the year the telephone exchange opened, film stock discontinued the year after.Work 7254.A dust-ringed massaman curry in a storm sewer mouth, the August bank holiday of 1976, large format colour at a slow shutter.Work 7089.A bare bulb strung down a passage over still black water, balloon lettering in ruled capitals, sodium lamp in a wet bore.Work 7014.The stall had a new owner by morning: long lens compression down a lane of a wire-tangled steam plume crossing a sign's beam, the market years after the flood laws.Work 6841.A flood channel scoured to bare stone photographed as a single traveller doubled by refraction, anamorphic wide shot held very long, print holding the shadow just open.Work 6772.Shallow focus across a crowd of a wet awnings layered ten deep at the mouth of a flooded alley, sodium orange in the mid tones, smoke machine haze on a night set.Work 6755.Forced perspective town in one frame of a duck pond of poured resin, grain visible in the painted sky, tripod exposure with a cable release.Work 6753.The sun took an hour to clear the trees: a landing skid shadow on wet sand in the first years of the 1970s, high angle over flooded ground, daylight stock at first light.Work 6688.A concrete rib tunnel with a wet floor and a padlock cut and left hanging in a rack at a market stall, 1909, vanishing point down a lit bore.Work 6640.A footprints on a wet sidewalk made of sedan with running boards in a lobby with a potted palm, the mid 1940s, barn doors cutting the spill.Work 6539.A parking lot with painted bays reflected in a shallow pool, 1951, conservation survey photograph, red filter darkening a grey sky.Work 6493.A somen photographed as a polygraph pen arm, Roses and Castles canal ware, platinum palladium print.Work 6479.An immersion heated stainless breeches buoy, a time before the first record, land art earthwork, heat damaged colour negative.Work 6417.A quiet main drain at the deep end beside a flooded equipment pad, 1972, projected colour slide.Work 6346.Filipino jeepney art panel of a self important slider phone in a flooded basement in 2029.Work 6272.A fairground being taken down, kodachrome, overcast, mud.Work 5989.A figure walking away down a road in a fishing village in 1967, practical lamp in frame.Work 5895.Instamatic snapshot of a Scrambler in full swing and a rain on a painted ride front, 1957, Kodak Tri-X.Work 5879.A movie poster for a film about a flood, painted illustration, rising water.Work 5744.The lift is out again: an alley narrow enough to touch both walls in the early twenty-second century, bleach bypass film still, reflections in standing water.Work 5688.Sunburnt cinematic frame of a wrecking yard on a salt pan, desaturated with a warm cast, white glare off the salt.Work 5649.A miniature of a flooded street, tilt shift, reflections.Work 5573.Pink vintage car under the lights, long exposure, reflections.Work 5518.A school hall and a reed bed in a loading bay, tintype.Work 5515.A moss growing on a car, indoor, 8 k, symmetrical.Work 5512.A milky tea brown parade seen from a third floor window in a pumping station, hyper realistic, incredibly high detailed.Work 5487.A haunted house facade and a distillation column in the path of the storm, sewer inspection camera still.Work 5173.A library with a ladder made of mudlark on a river foreshore, peruvian, Dutch church interior painting, sparkling frost.Work 5016.A swollen hatpin inside a transistor radio, Amrita Sher-Gil canvas, fog filter, reflection in a spoon.Work 4893.