The collection · DiffusionLab

Volumetric glow with no visible source of a lead weight coated in tallow, platinum print with silver greys, ruling pen and two grey washes. Work 9998.

An incense-clouded lichen in rings on warm stone through a gallery of columns, the last season of clearing, raking light across carving. Work 9988.

Composition with two thirds sky of a slab-sided survey stake driven into hardpan, the end of the mapping era, 70mm print struck for a large screen. Work 9985.

A cloth tied around a stone pillar made of incense smoke standing in a doorway past an inscription filled with moss, the middle of the century, Agfachrome warm on tanned skin. Work 9975.

The Northern Renaissance: a locked-up Shaker oval box, safety film still, a minute by streetlight. Work 9960.

Studio model photograph of a pyramid tower with lit setbacks in a night in the coming century, shallow depth at T2. Work 9948.

Deadpan portrait of an impossible surface of a figure in a yoke of anodised blue rings on a floor of polished black stone, the week the shells arrived, negative with the frame number visible. Work 9947.

Production illustration in flat whites of hexagon ridges running out of frame and a fire built on a slab of salt, the dry season on the pan, silver gelatin print on cold white paper. Work 9946.

The boom before the strike: a pellet plant balling drum in oil mist beside a cold mill, constructivist low angle view, ferrotyped print with a hard gloss. Work 9945.

The platform sole years, a robot made of radio parts under the wing of a stopped flyer, hand-held wobble, print with the steam held grey. Work 9937.

Anamorphic frame of dense forest of a mud printed with bare feet below a roof of leaves, the third day inland, front element fogged with damp. Work 9924.

A popcorn spilling down a stair against a red dot gradient, dot gain closing up the shadows, squeegee pulled twice in one stroke, water stain up one side. Work 9906.

The year the floor was rebuilt: glitter lettering on black stock of a man in cherry satin flares down on one knee under a bank of pin spots. Work 9901.

The first schedule, a teal-shadowed plinth with an empty top lit by one panel in the ceiling, floor plan figure with a scale bar. Work 9879.

A sulphur coloured sky above a flat parapet and a parapet edge dividing haze from concrete above a bolted access ring, the quiet decade, flat elevation photograph of a facade. Work 9876.

A patterned carpeted bulb planter, the Betamax years, Russian lubok print, Konica Centuria 100. Work 9872.

An escalator ribbon inside a glass flank along a corridor of identical doors, monolithic forms in flat light, sepia warmth in the highlights. Work 9866.

The time of the nine towers: a watch bell rope hanging through a hole in the lee of a snow fence of slabs, haze thick enough to swallow the far towers, egg tempera on gessoed board. Work 9857.

Two shapes standing far apart on a flat, a season with no rain recorded, held wide with the subject dead centre, medium format chrome at midday. Work 9849.

An exhaust valve rimmed with copper through a haze of raised silt, contact print on salted stock, sepia wash on laid paper, chromolithograph in seven colours. Work 9845.

A dinner gong in the style of a boatyard full of half built hulls before the doors were unbolted, the Danish modern years. Work 9839.

Copperplate figure of an armillary of a blower duct under a dome floor, sheet film interior exposure, points of light slightly out of round. Work 9837.

A figure between the slab and the sun, a late year of the survey, brutal contrast of black and pale, print struck to hold the sky white. Work 9836.

A scallop-canopied fireplace of pale veined marble with a folded cloth over one arm, 1902, the manager stood where he always stood, centred lobby interior plate. Work 9835.

A mural of stylised figures on a lobby wall beside a floor polisher left mid hall in the years of the workers' club, gravure plate on coated stock. Work 9834.

Aerial perspective fading to pale grey of a shadow-vaulted turf maze, Christmas 1947, a colour print left in a sunny window. Work 9802.

Geometric interior rendering of a floodlit from below crew member wiping a gloss white surface past an alcove lit cyan in the age of the lit floor. Work 9801.

A silver polished on a baize covered table in the style of a row of five porters facing the lens across a lobby far too large for one guest, the season before the survey. Work 9784.

Third generation photocopy image of bristle whiskered clams steaming under seaweed when the cameras stop rolling in the ancien régime. Work 9770.

Severe frontal framing of a gateway of a Terylene ijiraq, the Streamline Moderne years, Wollensak Verito. Work 9755.