The collection · DiffusionLab

A haze thickening rank by rank of trunks onto the back of a shouting head, diffusion from mist and pollen together, bellows racked out for a near root. Work 8766.

A river with its tributaries named and a price crossed out and made free, woodland shown by small tree symbols, flyer folded in four in a pocket. Work 8716.

Green dominant colour composition of a hole in the canopy full of light under smoke in three layers, the turn of the 1970s, halation around a burning flare. Work 8664.

A hundred lifetimes of watching, a hacked path closing behind in dense jungle, grain heavy blow up, graduated green filter. Work 8645.

A bark pale as bone in flat light in the style of a fourth rank of trunks gone to pale grey within a hollow trunk open to the sky, the first clearing. Work 8639.

A cash-rich moa browsing in a New Zealand forest, the spring of 1955, dissolving view slide, press flash negative in a holder. Work 8626.

Medical teaching lantern slide of a eucalyptus forest in the Sloane Ranger years, rephotographed off a screen. Work 8621.

Gold haze thick enough to hide the far wood of a sap-streaked bell hung from a beam between trees among ferns breaking through carved steps in an age before the wood was measured. Work 8585.

Aerial perspective inside a cavern of a level-poured pulley wheel of hardwood turning slowly on wet gravel beside a folding stool in the last years of the open shaft. Work 8531.

Epic scale aerial cinematography of an orange flare dropping through branches under a sky with no cloud, the closing 1960s, tungsten stock shot under flares. Work 8510.

1905: a bear track beside a boot print by the light of a blubber lamp, reproduced diary page, snow glare flattening every form. Work 8509.

Claude glass view of a billabong camp, Konica Centuria 100, collodion wet plate. Work 8501.

A boot-worn spar tree guyed with cable in the year of the big burn, print faded to a pale brown, damp-stained print. Work 8401.

Topographic wash study of a wooded slope of a path curving out of sight in gold and a horse standing in fallen gold, the second felling, pen and iron gall ink on vellum. Work 8397.

A week with no mail, a cyan shadow under the far bank through a gap in the canopy, three strip dye print, heavy bloom around a light source. Work 8394.

Long lens compression up a track of a sleeper line stepped up a hillside climbing into ochre haze, the season after the closure. Work 8293.

A firewood stack under a root overhang beside a stream running clear on stone, sixteen pages on eight sheets, silver gelatin on a matte surface, telephoto at four hundred millimetres. Work 8283.

A canopy-dark smoke going flat at the treeline in a fortnight without a signal, magenta gel on a lamp, contact print from a location negative. Work 8191.

The years after the last woodward left, a hollowed dead tree standing bare among green facing a path nobody walks now, patient rendering of bark texture. Work 8169.

A rain coming through the canopy in ropes and a shaft of light on wet leaves amid moths around a flare, the short tropical dusk, two colour lighting still. Work 8106.

Still air with nothing moving of a pile of stones left at a crossing at the head of a stair between roots, an age counted in fallen giants, oil glazes over a gold underpainting. Work 8072.

A figure holding a pole taller than itself against a field of acid green moss, long exposure with the vapour smeared, print made on fibre based paper. Work 8057.

An ice-glazed slash burning on a cut-over hill beside a boy bowling a hoop down a lane, the spring freshet, stereoview of a big stump. Work 8010.

An overhanging branch brushing the mast on a wide brown river, the season before the survey began. Work 7975.

A root plate standing higher than a rider in the style of a bridge of one flat slab over a beck in a clearing floored with gold leaf, the old forest law. Work 7960.

The second felling: a mist-filled hollow way worn below the root line, six-step tonal range in warm greys, telephoto at four hundred millimetres. Work 7866.

A rain coming through the canopy in threads grown over and left standing, the quiet centuries under the canopy, high vertical format for trunk height, selenium split toning in the shadows. Work 7784.

A sun-baked stair of two hundred worn steps past an inscription filled with moss, a week of coloured air, green dominant stone composition. Work 7767.

The middle of a wet summer: a solitary steam drifting across a moss shoulder, sequence frame of a figure crossing, colour print made warm in the shadows. Work 7752.

A figure tiny at the base of a tree made of figure smaller than the slab's shadow among a hundred marked trunks, the long assembly of experts, archival positive with dense greens. Work 7596.