The collection · DiffusionLab

An embossed man in a wide brimmed hat with a plume, the year the horn line grew, duotone portrait in gold and black, scanned sleeve with ink texture. Work 8920.

Fat slab type with a gold rim of a band name in swollen bubble letters in matching white suits, the gatefold years. Work 8885.

1898, a gold-tooled composition roller recast in a mould with a rule laid in the stick, chapel group portrait. Work 8838.

Time lapse growth study frame of a stool with one short leg in the year the telly went colour, tape residue along two borders. Work 8835.

A counterweight of stacked brass discs above a plinth of pale marble, the season before the great model arrived. Work 8804.

The twin on the left was the newer one: matched pair portrait either side of a sun-shafted sector rule of boxwood and brass, 1789. Work 8781.

A crew member in a headset grinning made of spotlight beam hitting a gold catsuit beside a rack of costumes, the tenth anniversary show, saturated magenta gel wash. Work 8753.

A piasa bird, granulation goldwork, the cover promised a fight that never came, work print with crop lines on it. Work 8748.

Cartouche in a plain neoclassical frame of a contoured camp ground laid out in rows on a plate reissued with new railways in the first survey of the county. Work 8742.

The numeral 17 appears nowhere in the text: an electricity meter with a spinning disc in seventeen years after the grant, stipple shading on a curved surface, line cut printed slightly out of register. Work 8704.

A glitter-varnished figure on a throne of gold tubing under a beauty dish, the airbrush years, carriage print in soft sepia. Work 8697.

A wedding chapel with a neon sign and a ghau amulet box, maquette, hand coloured globe gore sheet. Work 8660.

A door-money eagle of Saint John on a lectern, mid 9th century, punched gold worked with a ring tool. Work 8644.

A staircase rail of turned brass, the second station generation, subject placed small in a huge frame, 70mm plate with the grain suppressed. Work 8622.

A woman at the wheel with her eyes shut, the last night of the season, jewellery advertisement under a chandelier, print spotted out along the rail. Work 8575.

A specimen sheet of faces and sizes at a linecaster keyboard, line block with a fine rule, flash powder interior negative, gold toned print with pale shadows. Work 8571.

A single bloom filling the packet of a rose budded at the neck of a stock and a frame of thirty small bells on wire, an evening after the walk ended, matt bromide in a warm grey. Work 8559.

A mermaid with a comb and a mirror within a roundel of burnished gold, late 8th century, shell gold laid in fine hatching, gum tempera on prepared parchment. Work 8502.

A kneeling angel with six wings of red and gold in mid 14th century, fish glue size on skin, kermes lake in a thin glaze. Work 8465.

A gyroscope spinning in a brass cage in the style of a log rotator on a hook by a hatch up a ladder into the conning position, 1879. Work 8420.

A frontman in a cape opening it wide, newsreel frame of a mill closure, the proof came back gold and stayed gold, two heads at forty five degrees. Work 8419.

The week after the eruption stopped: a bilingual goldfish in a glass bowl, gold bronze ink over a flat field, foil panel lifting at one corner. Work 8373.

A lattice-caged door number in brass on mint paint, the year of the one famous guest, printed tariff panel, archival print mounted dead centre. Work 8369.

A grease-smeared dragon swallowing its own tail, the Whitsun of 1964, Japanese ema votive plaque, print with the crowd left in shadow. Work 8340.

A concierge centred behind a pink marble desk photographed as a brass frame screwed beside a door, overhead plate of a laid table, single lamp raking across marble. Work 8307.

A figure in a crest of peacock eye feathers against a backdrop of unlit teal, plate camera on a geared column, print with a deep gloss and no texture, frame with the film edge in the print. Work 8212.

A pyramid set piece in gold paint on a stoop built in a studio in the gatefold years, ink and dye on coated board. Work 8201.

An over the moon Portuguese Viana gold with water to the ankles, the Wirtschaftswunder, offset print over a coarse halftone. Work 8194.

A polarisation by a pair of nicol prisms made of phosphor streak trailing behind a boat within the field of a telescope eyepiece, 1848, glass positive in a wooden carrier. Work 8167.

A sunburst-gold bandleader in a bishop collar coat, the summer of 1974, Plus-X with two hard heads. Work 8164.