DiffusionLab

The vintage era of AI art, and its electric sheep.

The collection

All 1375 keywords
A rail-worn Australian cattle dog in the Achaemenid years, Polaroid 779, late golden light. Work 8935.
Straight photograph with no retouch of an eye reflecting a field of moving colour, grain only in the white sky, clean scan of a saturated frame. Work 8894.
View taken from the far side of a vent of an undyed moss growing in the cracks of a flow across a field of black lava in the third winter of the survey. Work 8842.
A straight-running pedestal with the figure gone running straighter than the land allows, the second stone age of the plain, muted earth palette over deep shadow. Work 8840.
A courtyard floor split by grass, the season the forest came back, frontal portrait against carving, release print with deep shadow. Work 8839.
Persian knot rug of a richly idle Soviet bus stop, Tropicália, airbrushed gouache on board. Work 8728.
A medallion window of small scenes in front of a slope of green turf, the long 1970s, telecine transfer frame, HP5 pushed two stops. Work 8720.
Water combed into repeating lines of a dragonfly on a rice stalk in 1858, fine line carved thin and broken. Work 8708.
A little egret with the crest lifted and a green woodpecker on an anthill, study made at the nest, watercolour on stretched rag. Work 8699.
A hundred lifetimes of watching, a hacked path closing behind in dense jungle, grain heavy blow up, graduated green filter. Work 8645.
A rubricated summer pudding across the clipped concours lawn, the closing years of the 1880s, we won the contest on the last spin, outside broadcast still. Work 8614.
The years after the sluice failed, an unlucky bail jumper hiding in a cane field with the far bay lost in grey, near-monochrome greens with gold accents. Work 8576.
A cuckoo laying in a reed warbler nest and an orange sun with a black machine in it, ministry of information photograph, airbrush on smooth illustration board. Work 8464.
A land art earthwork and a burl the size of a cart wheel above the cable station, the nineteenth century, Holmes stereoscope view. Work 8381.
The badge opened one door too many: planning model photograph of a two up two down missile silo with its lid open, the closing years of the 1870s. Work 8333.
Combat photographer's frame of an ash strewn spectroheliograph, the World Cup summer of 1962, Kodak T-Max P3200. Work 8328.
Survey markers ringing a monolith and a vehicle parked against a colossal base under a structure set into a cliff, before the structures were counted, no fill light on the shadow side. Work 8312.
The New Kingdom: concept plate of a deep cistern of a brass band on a bandstand in drizzle beside a row of pollarded trees. Work 8294.
An iron ring set in a mossy slab on the gravel sweep of a great house, the third age of the great trunks. Work 8272.
The plug was pulled at half eleven: black and white with blown highlights of a long-billed quail hidden in a hayfield, a hundred degree July. Work 8233.
A fern-screened white ring around a hundred trees inside a suit with the lamp on, the third day inland, nobody had cut this path, extreme widescreen jungle frame. Work 8175.
A kingfisher over a reed bed inside an oval vignette, letterpress in two flat inks, guillotine cut through the border rule, dot screen of about fifty lines. Work 8139.
1797: a lichen planted privet hedge of clipped flock, plate finished in nine colours, magenta creeping into the slates. Work 8009.
A river-stained oil can and a rag on a hatch amid drifting water hyacinth, the year the river ran high, dense green colour study. Work 7871.
Ink painting manner on soft paper of a frost-rimmed stack of sacks roped onto a frame, the age before any track came, hand-rubbed with a bamboo baren. Work 7839.
Survey photograph with a figure for scale of a slope banded in ochre and black over ground warm enough to feel, chrome stock with the contrast left high, colour negative with dense greens. Work 7790.
Quirky 1960s constructivist country club, retro tech, Project film, print with a retouched background. damaged film, film grain. Work 7672.
A field of black lava under low cloud, colour study of green against black, the steam moved and the figure did not, lens wiped between every exposure. Work 7656.
Quirky 1960s constructivist country club, retro tech, Project film, print with a retouched background. damaged film, film grain. Work 7570.
The crates were still in the van: a hem weighted against the updraught in the season the sheep came down, concours programme colour plate, large format landscape on sheet film. Work 7490.