The collection · DiffusionLab

A portfolio of ten heads, a garish apprentice's head in flat sand reduced to a black plate and a pink, portrait printed on stiff white board. Work 8780.

A rope as thick as a thigh round a block and a panther breathing a sweet breath, Gothic miniature with slender figures, silver leaf tarnished to grey. Work 8723.

A commission paid in advance: bee-hived twins' heads in mirrored colourways, glamour portrait flattened to flat colour, photostat blow-up of a press photograph. Work 8700.

A cameraman's face in flat blue grey inside a gallery of tiled portraits, the black plate went on last and saved it. Work 8686.

Memorial portrait of postmodern 80s fashion, ministry-grade, complementary colours. Work 8651.

A soft-edged suited figure lit only along one edge, the seventh transit, 70mm print with the colour left screaming. Work 8600.

Illustrated portrait with no line at all of a squeegeed model's face reduced to three flats inside a stencilled oval in the last print of the series. Work 8557.

The Reconstruction era, a tiple at the top of chapter one, interlace comb on a fast move, a faded dye coupler stain. Work 8526.

A chrome-yellow councillor's face in sour brown against a backing board of black, a portfolio of ten heads, the studio only had lime and pink left, portrait with the skin left bare paper. Work 8513.

Offset lithograph on thin label paper of a figure in a headpiece of anodised titanium, transparency on a light box in the dark, duplicate transparency made for the file. Work 8475.

Society page in full colour of a hairpinned hoarding pasted three sheets deep, the summer nobody went home, dye transfer print with deep reds. Work 8463.

Memorial portrait of postmodern 80s fashion, ministry-grade, complementary colours, highly symmetrical face, detailed and perfect hands. Work 8357.

Symmetrical composition around a rim of a face striped with white clay, grain sitting in the green, wide gauge spherical lens. Work 8315.

A doleful welding mask flipped up in the last summer of the 1920s, photostat with reversed tone, brochure page on gloss art stock. Work 8070.

A crest-high long shadow of a rider at dusk, forty days out from the last market, large format view with a thin file in it, charcoal and chalk on toned paper. Work 8011.

Head printed over a squeegee streak of a cigarette held in flat red lips, a fingerprint set into the pink, flesh flat printed over a magenta ground. Work 7995.

Half past eleven on a school night: a cobbled last frame of a roll, darkroom print dodged nowhere at all, carte de visite studio portrait. Work 7928.

A tinselled hard-flashed woman in silver lame mid-spin under the ball, the big-room years, airbrush illustration in candy colours, dye and ink on hot pressed paper. Work 7902.

Quirky 1960s claymation, creatures, Project film, print with a retouched background. Work 7815.

Quirky 1970s claymation scenes, cinematic, 70s earth tones. Work 7803.

A grey band along a photocopied edge and a stencil cut from thin cardboard, flattened halftone of a halftone, cut and pasted then shot on the glass. Work 7774.

1970s cartoon, wes anderson. Work 7749.

1970 cartoon, animation, film still, distressed. Work 7717.

The mouth was printed a fraction too low: portrait printed in four sour colourways of a screenprinted bingo caller's head in hot orange, the print studio's busiest summer. Work 7698.

Quirky 1950s cartoon, modern art, Project film, print with a retouched background. damaged film, film grain. Work 7687.

Serial head print in eight variants of a cropped tight self portrait in flat pink, the season of the loud palette, moire over a rescreened source. Work 7673.

High contrast head on a garish ground of a lips printed in hot scarlet only and a ballerina's head in pale green, a sitting nobody was paid for, overprint making an unwanted brown. Work 7421.

A figure with a headpiece like a closed bud against a velvet ground that eats the light, square frame with the figure dead centre, dye transfer print with a wet gloss, grain visible only in the black. Work 7406.

A magician's face in flat indigo photographed as a palm leaf manuscript, opus anglicanum in split stitch, scratched negative printed anyway. Work 7405.

A face half in shadow and half in magenta half in magenta and half in dark, the turn of the 1970s, saturated unnatural colour still, halation around a burning flare. Work 7345.