The collection · DiffusionLab

A scale beam in an elevator office in the style of a man-lift rope in an elevator shaft in flat light on open prairie, the dust years. Work 9196.

Studied scale contrast of a figure crossing a threshold of pure white along a corridor with no shadow in it, glossy resin coated print, large negative with almost no grain. Work 9185.

Record illustration of a ruined interior of an open sky reflected in an inner court over a ratchet strap pulled tight, print made cool in the deep shadow, 16mm negative with a scratch. Work 9166.

1970s country club, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9143.

A lamp with barn doors on the grid under the arch of the Starlight Stage, it went out on a Saturday and everyone saw. Work 9131.

A hushed concourse with one figure and no furniture over a dry fountain in a stone floor, the years of the new hall, the carpet was laid to the inch, reception desk portrait centred. Work 9130.

A column-ranked balustrade of turned stone half in water at a hearth on a dry cornice, the years the hall was dry, lime crust described in fine texture. Work 9115.

1970s country club building, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9092.

A lobby floor of pink and cream squares at a pass hung with copper pans in 1902, typed tariff pasted under a plate. Work 9081.

Textile pattern of gears and rules of a lattice-built window grid of a factory wall under a sawtooth roof in the 1925 exposition year. Work 9071.

A clock mechanism the size of a room, wide angle, single bulb. Work 8931.

Epic interior film still in cold light of a lion head spout dry in a wall and a water level marked round every shaft, the age of the inner court, halation soft around the roof opening. Work 8912.

A fluorescent-lit audience lit from behind only, the big bang year, cut and paste flyer artwork, stencil sprayed through thin steel. Work 8843.

Mirror symmetry across a marble hall of a single chair facing a wall of stone and a teller behind glass facing the camera, the first schedule, 8x10 negative in available light. Work 8774.

A suited pair at opposite ends of a corridor beside a blank white console, clinical white-on-white rendering, glossy transparency lit from behind. Work 8764.

The last constructivist years: a stair seen straight down the well along a line of converging rails, overprint of red over black halftone, no varnish and a dull surface. Work 8759.

A flat elevation lit evenly by haze inside a corridor with no doors in the year the gallery was glazed, emulsion scratch across a corner. Work 8749.

An alchemist's workshop overflowing with vines across hot pink terrazzo, the age of cathedrals, anonymous seaside snapshot, verticals held true in a lobby. Work 8719.

Main titles over a plaster ridge of a hard lit hardboard floor drilled in a grid, the second unit schedule of 1972, exposure step between two frames. Work 8677.

A season the level never fell, a glass-flat water stain banding a wall in tones open to the sky at the crown only, lithograph in four cold greys. Work 8655.

The suite came with its own telephone number: a woman with a bouquet larger than herself in the week of the gala, shot from the corridor into a suite, print with the chandelier burnt in. Work 8653.

Night interior by a single lamp of a red goggles worn before observing under a dome slit, 1917, trailed stars from a guiding error. Work 8633.

A Polish amber chandelier under corbels carrying a road out, blue and white porcelain plate, polarising filter on deep water. Work 8616.

A Louisville-style wooden bat at a wardroom table, the machines were always five. Work 8584.

Mail order catalogue sheet of a disused turbine hall as a venue, offset litho in black and one spot, grainy bromide enlargement. Work 8581.

A wind-steady hangar doors open to a rectangle of light in the first season of the mast, pastel over a toned ground, collotype with a reticulated tone. Work 8556.

The winter the wing was shut: a funicular-served planet projector on an armature, pastel study of a lobby, mimeographed programme page. Work 8496.

An amber-hazed queue rail with nobody in the queue in the middle of a hall with no furniture, 1993, stone grey with mint accents. Work 8442.

The year the drum was first turned: a recessed attendant rolling a sphere across the floor, flat frontal framing, print graded to hold the shell whites. Work 8347.

A pendant fitting hanging four storeys down photographed as a relief frieze running above a doorway, environment study in three flat values, print holding the shadow just open. Work 8308.