The collection · DiffusionLab

A scale beam in an elevator office in the style of a man-lift rope in an elevator shaft in flat light on open prairie, the dust years. Work 9196.

A two structures set in exact line past a line of broken pillars, large format chrome in bright sun, 65mm negative with a clean gate, oil on linen with a thin ground. Work 9189.

Studied scale contrast of a figure crossing a threshold of pure white along a corridor with no shadow in it, glossy resin coated print, large negative with almost no grain. Work 9185.

A lift bank with eight illuminated doors among a shift crossing the concourse in the decade the sky was sold in lots, large format transparency on a light box. Work 9156.

1970s country club, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9143.

A lamp with barn doors on the grid under the arch of the Starlight Stage, it went out on a Saturday and everyone saw. Work 9131.

A hushed concourse with one figure and no furniture over a dry fountain in a stone floor, the years of the new hall, the carpet was laid to the inch, reception desk portrait centred. Work 9130.

A near-empty single steel hatch numbered 04 in a blank wall, the closing schedule, sectional schematic of a wall, hand tinted print in pale colours. Work 9121.

1970s country club building, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9092.

A lobby floor of pink and cream squares at a pass hung with copper pans in 1902, typed tariff pasted under a plate. Work 9081.

Quirky 1960s constructivist robot, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9077.

Opening night press photograph of a padded door with a small window and a zodiac inlay underfoot, 1937, filmstrip frame with sprocket edges. Work 8977.

Summit panorama joined from plates of a knife edge test in a dark corridor down a long spectrograph well, the late 1890s, halation halo around a bright star. Work 8818.

Mirror symmetry across a marble hall of a single chair facing a wall of stone and a teller behind glass facing the camera, the first schedule, 8x10 negative in available light. Work 8774.

A suited pair at opposite ends of a corridor beside a blank white console, clinical white-on-white rendering, glossy transparency lit from behind. Work 8764.

The last constructivist years: a stair seen straight down the well along a line of converging rails, overprint of red over black halftone, no varnish and a dull surface. Work 8759.

The hour before the light changed: a scaled barrier of pale mint panels, institutional brochure interior, blueprint of a lobby plan. Work 8750.

A flat elevation lit evenly by haze inside a corridor with no doors in the year the gallery was glazed, emulsion scratch across a corner. Work 8749.

An alchemist's workshop overflowing with vines across hot pink terrazzo, the age of cathedrals, anonymous seaside snapshot, verticals held true in a lobby. Work 8719.

Main titles over a plaster ridge of a hard lit hardboard floor drilled in a grid, the second unit schedule of 1972, exposure step between two frames. Work 8677.

Corporate annual review frame of a shaft of amber light falling on a stone floor in the quiet tenancy, mixed daylight and tungsten cast. Work 8670.

The suite came with its own telephone number: a woman with a bouquet larger than herself in the week of the gala, shot from the corridor into a suite, print with the chandelier burnt in. Work 8653.

Night interior by a single lamp of a red goggles worn before observing under a dome slit, 1917, trailed stars from a guiding error. Work 8633.

A follow spot picking out a soloist beside a chrome staircase, export catalogue illustration, video smear off a chrome stair. Work 8627.

A Polish amber chandelier under corbels carrying a road out, blue and white porcelain plate, polarising filter on deep water. Work 8616.

A wind-steady hangar doors open to a rectangle of light in the first season of the mast, pastel over a toned ground, collotype with a reticulated tone. Work 8556.

The winter the wing was shut: a funicular-served planet projector on an armature, pastel study of a lobby, mimeographed programme page. Work 8496.

A dust hanging in a lit doorway photographed as a gantry rail painted faded pink, uniform study in flat light, fine grain film on a tripod. Work 8467.

A worn-stepped long shadow of a stair at dusk beside a script cut deep into a doorframe, the month of the flower offerings, deep focus gallery composition. Work 8450.

A bone-pale silt fan at the foot of a stair, the decade the standpipe arrived, gold toned print in cool brown. Work 8447.