The collection · DiffusionLab

Quirky 1950s cartoon, modern art, Project film, print with a retouched background. damaged film, film grain. Work 8459.

Ghost hunting infrared still of a nahual halfway between jaguar and man down a ramp of polished white, the age of the pager, Kodachrome 200. Work 8422.

A bottle-green man in a straw boater with a silver trophy, the first weekend in June, sheet fed gravure plate. Work 8345.

Advertising still for a resort leaflet of a woman in a lemon dress leaning on a pink wall and a woman in a pink visor serving at a net, the season of the open hull. Work 8313.

A vine-crowned succotash toward a flyer pasted upside down, the space age fashion years, only the initials, silk shading embroidery. Work 8267.

A miner's head in flat black and white against a tiled underground wall, the season of the loud palette, screenprint head over a halftone photo, cheap process print on a folded sheet. Work 8162.

A silo rank throwing hard shadow and a worker sitting in a window reveal, stark contrast with the shadow blocked, red filter darkening a pale sky. Work 8006.

A hessian scarecrow with straw cuffs with glue gone shiny at the neck, 1851, late impression from a worn plate, dust and hair from a projector gate. Work 7941.

The Wars of Religion years, a municipally funded show king pigeon in a pork pie hat worn at an angle, warm stone against cool shadow. Work 7939.

Stereograph pair of a threshing crew of a grain price chalked up on a board beneath a run of taped cable, screen frame with a phosphor smear, slow film in bright prairie light. Work 7852.

A seamed German nutcracker doll, the home front years, shoebox of loose prints, real photograph gone sepia. Work 7791.

A bone white branch planted upright in sand, costume study of a wind filled garment, the robe was the only thing that moved, anamorphic negative with a flared edge. Work 7782.

Atmospheric layering cinematography of a boatman standing with one pole among buttress roots, negative developed by inspection, still photographer's colour negative. Work 7775.

A driver in a short sleeve shirt at speed inside a canvas paddock tent in high summer of 1963, long lens at 400mm on a hairpin. Work 7764.

1970s cartoon, wes anderson. Work 7749.

A figure beside the mould it was made in on a low platform covered in felt, mimeograph purple over cheap paper, shadow kept open across the hem. Work 7625.

A costumed figure alone in a wide frame on a crust of yellow sulphur in a decade of quiet ground, exposure metered off warm stone. Work 7614.

Portrait print with the colourway wrong of a cowboy actor's head in poison green in a portrait sitting of ten minutes, registration cross left in the margin. Work 7518.

A cream-painted man in a boater with a silver hip flask, the Whitsun meeting, bounced flash off a white awning. Work 7479.

A lint flecked warm and sagging plasticine signalman in a lever frame, the half term week of 1967, shallow depth of field across a set, highlight bloom on a wet clay surface. Work 7371.

Glamour portrait flattened to flat colour of a lantern hood of pierced copper in the years after the pass closed, photogravure on soft paper. Work 7348.

A reckless reporter with a flashbulb and a fedora in a wet March in 1951, flat proof before the black went down, creased spine with white breaks. Work 7292.

Quirky 1960s constructivist robot, modern art, Project film, print with a retouched background. damaged film, film grain. Work 7240.

A head of a drumhead cabbage on a slate outside a greengrocer, letterpress with a stock engraving, paper showing through the flat colour. Work 7184.

Quirky 1960s constructivist country club, modern art, Project film, print with a retouched background. damaged film, film grain. Work 7168.

A chipped enamel whitlow bandaged with tape in the seventh transit, print struck for a single dominant hue, all middle tones and no black. Work 7161.

A level-eyed English punt chauffeur in the Aztec years, flat ink pulled through a coarse mesh, albumen print pasted to a stiff leaf. Work 7085.

Poster paint colour under photofloods of a clay penguin dipped in white and a clay chef under a tall paper hat, one long afternoon in 1969, flying spot telecine transfer. Work 7020.

The belt took his arm in 1911: newsreel frame of a mill closure of a spindle-scarred knocker up going along a street, 1910. Work 6920.

A spectacled fireman's face in blown-out orange under a hard studio lamp, the week the pink ink arrived, the second colourway was worse on purpose, flat head over a printed dot screen. Work 6838.