The vintage era of AI art, and its electric sheep.
The collection
All 1375 keywords
An ash falling through a light beam behind drifting green smoke, the smoke chose a direction.Work 8717.A ferry deck at sunrise, colour negative film, haze.Work 8707.A calved plateau surface furrowed with sastrugi, the summer of 1911, overexposed snow with no detail.Work 8675.A tarpaulin folded into a square at a mooring ring set into stone, muted pastel through green haze, lantern slide in a taped mount.Work 8669.A sunset with layered orange bands, 1929, airbrushed sky over a flat ground, printer's colour bar in the margin.Work 8365.An inverted image of a ridge hung in the air under a sun with no colour left, a season with no rain recorded, epic scale frame with a tiny subject, haze filter on a very long lens.Work 8342.The coldest hour of the night: very long lens sun frame of a figures seen through heat shimmer in first light over water.Work 8317.Sledge design line figure of a lead of black water through the floe off a barren coast, hand tinted with thin washes, album page with corner mounts.Work 8288.Ultra wide composition with two thirds sky of a salt-stiffened column of figures crossing a dune crest, a week of unbroken white sky, five perf 65mm stock rated slow.Work 8203.The year the strip was cut, a grass-beaten mirrored visor with the sun in it cutting into a sodium disc, symmetrical sunrise framing.Work 8159.The season the wells were counted: rendered in one shaft of hard light of a sample pan of hard red wheat among the stubble at sundown.Work 8103.A ridge after ridge to a white sky photographed as a guide pointing at an empty horizon, hyperreal render with grain in the air, dye transfer print in indigo and sand.Work 8038.A slow-drifting figure standing dead centre of a colour field beside a sheet of vertical streaks, the age of the lone passenger, ultra-wide frame with no horizon.Work 8004.Pumpkin carving of a prairie with a grain elevator on the horizon beneath an arch spanning a valley, the Brandt years, highlight held in a white felt hood.Work 7923.A leading marks for a harbour entrance beside a cartouche in the lower right, after the surface was left behind, photozincograph from an engraved original, large format negative in hard sun.Work 7885.An auditorium of two thousand seats as the low sun clears the setback, the founding decade of the upper city, layered depth through smog, clean optics with minimal flare.Work 7795.A storm front swallowing a distant rig toward a horizon with nothing on it in the age of the sealed suit, keyframe illustration for a sequence, 4x5 transparency in hard sun.Work 7750.Low vantage along a level beach of a fungus shelf glowing on wet stone and a ripple ring crossing a still bay, 1856, technical pen with stippled rock.Work 7582.A sunrise behind a mountain range along a sand road lined with palms, tinted stock in pale grey, print toned slightly cold, letterpress impression with real bite.Work 7542.A baggage lashed under a woven net opposite the sun on a bare crest, somebody had painted the trees.Work 7455.The first ten minutes of daylight, a raffle ticket book printed off the crop against a sky in flat bands, rescreened from an already printed page, ghost image below the sun.Work 7454.A shadow running over pale sand across a huge orange sky in the morning after the rain stopped, horizontal blue flare streak.Work 7404.A grit-blasted fuel drums stacked by a landing mark in the years the maps stopped agreeing, medium format chrome in full glare, base scratch running through a frame.Work 7381.A green band low in a dawn sky beyond a black palm line in the middle of the 1970s, no fill light at all.Work 7230.We swept the bin out by hand: a grid road running out to the horizon in the first week of threshing, grading standards reference plate, glossy print with a white border.Work 7141.A half-visible line of stones running out of frame dwarfed by the plain it sits in, the last years of the overland crossing, measured elevation of a well head.Work 7140.A dry watercourse with no bank left beyond the edge of the mapped route, silver gelatin print toned copper, negative with grit marks in the sky, archival pigment print on rag paper.Work 7138.Walking challenge, press photograph from the pit wall, 65mm frame with a huge sky, soft graphite on laid paper.Work 7075.A sun-backed rotor blades blurred into a grey disc through a curtain of spray, the short season of clear mornings, the shadow arrived first, 70mm silhouette frame.Work 6944.Walking challenge, press photograph from the pit wall, 65mm frame with a huge sky, soft graphite on laid paper.Work 6887.