The collection · DiffusionLab

Ski school notice in flat inks of a wooden stave church in deep snow and a coral island with a single palm, the late 1920s, magenta misregister by a hair. Work 8327.

Silhouette plate in solid black of a newly-pressed mother hanging washing on a line in a farmyard after rain in a 1936 reprint. Work 8297.

A column of figures with bells on poles in front of a cottage in flower, he grew it for the show and nothing else. Work 8279.

High angle from an upper terminus of a crossing plank set between the rails and a brass window of a ticket booth, 1898, halftone in a timetable booklet. Work 8230.

Sparrows in the driveway rafters made of elevator reflected in a slough beside a slough in spring, the dust years, contact print from a roll film negative. Work 8188.

Luggage label illustration style of a clerk pair matched like a mirror at the centre of a numbered yard, watercolour wash over ruled ink, warm ochre grade on colour stock. Work 8154.

Quirky 1960s constructivist country club, modern art, Project film, print with a retouched background. damaged film, film grain. Work 8145.

A stage brace propped behind a flat before a painted village street, his nose was a bottle top all along. Work 8144.

A lifting body coming in on a dust plume after a night of rain, the age when the wind won, frame built on one long diagonal, xerox with a dark band down one side. Work 8138.

Animation cycle repeated four times of a Rexine paper effigy burned for ancestors, Easter 1979, polarised sky above pale ground. Work 7922.

Landscape with a thin line of figures of a chalk-white figure with cymbals tied to the knees past a stone trough full of rain in the week the fog stayed down. Work 7920.

Flash lit record photograph of a strobe-ringed Usonian house, the Art Nouveau years, colour print with a heavy orange cast. Work 7897.

A copper-crested platform edge of scored cardboard, the autumn of 1963, zoo veterinary record photograph, mist softening the far trees. Work 7868.

A cook shack with a long stovepipe, documentary film frame in monochrome, they burnt the slash in September, matte black set surround cropped tight. Work 7820.

The week of continuous rain: a noise-battered guard hut with a bare bulb, available light shot of a melt, pushed monochrome negative under sodium. Work 7701.

1907: a long-shadowed crevasse bridged with a snow lid, autochrome colour plate, dust from a hut floor. Work 7651.

A tardigrade crawling through moss made of figure on a boardwalk over a mud pool under a striped awning on a terrace, the middle years of the 1980s, rotogravure page in a hire catalogue. Work 7643.

Available light at high noon of a shadow-casting camp lights against a black mass, after the site was left open, daylight balanced stock at noon. Work 7635.

A slow-moving queue at a single water point, long after the architects left, photochemical print with a grey base. Work 7446.

1872: mill town panorama from a hill of a half timer asleep on a bobbin box in a scouring bowl shed. Work 7420.

A palm-fringed signal box with a lever frame at a desert halt with one palm, the 1931 winter season, diagrammatic route poster. Work 7255.

The World Cup summer of 1986, a fungal hive mind beside a crossing keeper's cottage, blueprint with white line work, print with salt spots on the negative. Work 7246.

A lemon house with vent louvres and a bear flag with a red stripe under a striped beach umbrella, 1943, stylised sunburst behind a peak. Work 7209.

One edge ruled from corner to corner of an immeasurable grid of structures seen from a rim, fifty generations of looking, one stop under to keep the black. Work 6926.

A group at a long table under an awning and a player mid-smash above the net, fence detail figure in a catalogue, blueprint of a yard boundary. Work 6918.

A hill climb car sliding on loose gravel on the steps of the orangery in high summer of 1963, saturated dye set in the reds. Work 6845.

1907, a steam-hazed portable camp buildings on flat cars among stumps the height of a man, dime novel cover illustration. Work 6823.

The long boom before the first audit, a drekavac down a siding marked with a number, daylight stock left uncorrected, fibre print with a deep black. Work 6806.

A bathing hut with striped panels on a sandy shore at low tide, I coloured it in with a pencil. Work 6794.

A grease-dotted cloth perch with a light behind it beside a weft fork stopping a loom, 1861, aerial view over mill roofs. Work 6764.