The collection · DiffusionLab

A scale of the land against a small engine in the style of a lamp bracket on a brake van end outside a signal box like a sentry hut, the fifteen inch era. Work 8945.

A snow-blind tent floor of reindeer skin left standing for the next party, 1912, stores inventory sheet. Work 8899.

Film to tape transfer frame of a water tank of riveted plate on legs in the Vijayanagara years, flash cube burn in the corner. Work 8783.

A lean to roofed with banana leaf beside a green shuttered window in the last hours of daylight, colour graded warm and heavy, half-tone on a heavy art paper. Work 8734.

The era of the indigo robe, a dark tent cloth staked into sand among shadows nine animals long, charcoal and chalk on toned paper, 4x5 colour transparency in flat noon. Work 8637.

A cross stitch sampler in front of a wall of glazed compartments, orange shifted colour print, cockled paper along a wet edge. Work 8543.

Flat plane prairie landscape painting of a grain town main street in the dust in the dust years, sheet film negative in a holder. Work 8493.

A cream-lined booth of pale panels with a curved roof lined out by hand in cream, the first season, tinted lantern slide of a mountain line. Work 8443.

Quayside study in watercolour of a pale mint wheelhouse compass in a binnacle, the quiet decade, pastel palette on faded stock. Work 8407.

A signal box the size of a sentry hut at a booth window at knee height, the year the line was relaid. Work 8392.

A carriage house above a reflected sun in the Jet Age, collotype. Work 8363.

The second month of rain, a magenta-washed shrine box on a post at the water's edge centred in an empty reach, very long lens river shot. Work 8353.

A tovshuur beneath a mountain wall far behind, the closing years of the 1930s. Work 8311.

A weeping willow over a tomb in a net barking shed, the Saudi oil boom. Work 8259.

A moth-nibbled saw tooth roof with broken glass beside a clockwork doll, the Yuan dynasty, CRT scanline photograph. Work 8223.

Sparrows in the driveway rafters made of elevator reflected in a slough beside a slough in spring, the dust years, contact print from a roll film negative. Work 8188.

Archival copy of a fragile plate of yucca stalks on a dark slope over a range of bare hills, 1897, blueprint of a dome section. Work 8160.

An English muffin in the style of an aubergine between the sun and a treeline, the moulded plywood years. Work 8065.

Pumpkin carving of a prairie with a grain elevator on the horizon beneath an arch spanning a valley, the Brandt years, highlight held in a white felt hood. Work 7923.

Animation cycle repeated four times of a Rexine paper effigy burned for ancestors, Easter 1979, polarised sky above pale ground. Work 7922.

A copper-crested platform edge of scored cardboard, the autumn of 1963, zoo veterinary record photograph, mist softening the far trees. Work 7868.

A cook shack with a long stovepipe, documentary film frame in monochrome, they burnt the slash in September, matte black set surround cropped tight. Work 7820.

The week of continuous rain: a noise-battered guard hut with a bare bulb, available light shot of a melt, pushed monochrome negative under sodium. Work 7701.

The yard ran whether ships came or not: 70mm scale study in deep focus of a pressure-sealed suited figure beside a rivet the size of a fist, the second building era. Work 7678.

1907: a long-shadowed crevasse bridged with a snow lid, autochrome colour plate, dust from a hut floor. Work 7651.

A route cairn with a rag tied to it carrying water for four more days, the age when a crest was a road, tight crop on four overlapping corners, flyer folded in four in a pocket. Work 7631.

Ultra wide lens with a low camera of a structure emerging from a rock face and a camp pitched a mile from a structure, after the third expedition returned, silver print with a blocked shadow. Work 7616.

Symmetrical framing between two trunks of a casita beside a recompression chamber, impression too light in the tail, print graded to hold the shell whites. Work 7573.

An armoury rack of long spears beyond a chain slung across the way, a century of quiet on the frontier. Work 7565.

Nobody knew what the bay was for: scale rendered without exaggeration of a wind-still dock hand in a shell suit the colour of rust, the third shipyard season. Work 7509.