The collection · DiffusionLab

A mass-concrete half-poured stair flight climbing a sheer rock face, long after the architects left, warm stone against cool shadow, bromide print with the detail held. Work 8880.

Metalcut print of a half scale jet bridge, the first year of the wireless, sharp to the far ridge. Work 8872.

A hairy shutter of pale mint boards beside a wire line stepping up a slope, 1813, tinted lantern slide of a mountain line. Work 8865.

A ladder in a shaft lit at the top photographed as a signal lamp glowing red in the dark, practical lamp in frame, smoke haze on an underground set. Work 8788.

A column of green smoke through a canopy gap across a hacked path in a fortnight without a signal, saturated unnatural colour still, contact print from a location negative. Work 8784.

The last constructivist years: a stair seen straight down the well along a line of converging rails, overprint of red over black halftone, no varnish and a dull surface. Work 8759.

Muted ochre against near black of a catchment terrace angled to a cistern between a stair and a sheer drop, architectural transparency on daylight film, 6x6 negative on a levelled tripod. Work 8709.

Balinese Kamasan painting of a shape in the fog taller than the church over a halftone crowd, existing light, rubber-stamped date on the back. Work 8705.

A follow spot picking out a soloist beside a chrome staircase, export catalogue illustration, video smear off a chrome stair. Work 8627.

A staircase rail of turned brass, the second station generation, subject placed small in a huge frame, 70mm plate with the grain suppressed. Work 8622.

The year the jetty was built: a shore of pale gravel under a stone vault before an iron door in a rock face, painterly rock with sharp instruments, bellows extended for a near subject. Work 8608.

Gold haze thick enough to hide the far wood of a sap-streaked bell hung from a beam between trees among ferns breaking through carved steps in an age before the wood was measured. Work 8585.

The water rose a little every year: green-cast fluorescent interior of a sump-side runner sprinting a lit corridor, the age of the improvised circuit. Work 8570.

A dust hanging in a lit doorway photographed as a gantry rail painted faded pink, uniform study in flat light, fine grain film on a tripod. Work 8467.

Bird's eye photograph of a stair of a marshaller lit from one side in orange aligned to a baseline grid, letterpress with a visible bite, star filter on a low sun. Work 8461.

A worn-stepped long shadow of a stair at dusk beside a script cut deep into a doorframe, the month of the flower offerings, deep focus gallery composition. Work 8450.

A bone-pale silt fan at the foot of a stair, the decade the standpipe arrived, gold toned print in cool brown. Work 8447.

Ghost hunting infrared still of a nahual halfway between jaguar and man down a ramp of polished white, the age of the pager, Kodachrome 200. Work 8422.

A balustrade of carved serpents and a tower top above a sea of trees, heat and humidity photography, wet gate dupe of a survey reel. Work 8384.

After the site was left open: figure at a fraction of a percent of frame of a stair with no building over it after the haze has hidden the top. Work 8370.

Nobody sat on the terrace after four: one point view down a corridor of a numbered in brass telephone cabinet of polished wood, the last full season. Work 8266.

A luminous edge-lit runner stopped mid-stride on a curved floor, the year the ring was closed, measured stillness in the frame, archival print with pure paper white. Work 8241.

An air grille in a numbered stone panel at the foot of a splitting stair, a year with no report. Work 8231.

A pyramid set piece in gold paint on a stoop built in a studio in the gatefold years, ink and dye on coated board. Work 8201.

A damp-stained doorway half filled with quiet water, the long wet age, volumetric shaft through interior haze, whole plate negative squared to a facade. Work 8197.

A fern-screened white ring around a hundred trees inside a suit with the lamp on, the third day inland, nobody had cut this path, extreme widescreen jungle frame. Work 8175.

A sunken court with a single stair out in a drug store room at the back, speed camera photograph, Kodachrome dense shadows. Work 8157.

Backlit crowd rimmed in white of a forty steps cut into bedrock beneath a sky flat and white, the age when a well was the town, scratch along one sprocket edge. Work 8156.

Carts rendered as marks for scale of a stepping causeway of nine great slabs at the third mile of a paved road, wood engraving with fine cross hatching, mezzotint with velvet blacks. Work 8136.

The Babylonian years: a thread-strung safe deposit room, muted pastel over deep shade, two stop push in old developer. Work 8116.