The collection · DiffusionLab

A light-barred cut path with towers at the end beside a cicada noise in a stone corridor, a day the stone stayed cool, high angle over a complex. Work 9535.

A shade-thrown bridge deck crossing a dry gorge beside a buttress rank holding a terrace back, after the outposts were joined, science fiction production illustration. Work 9444.

A stair rising out of the water to a door beneath a coffered ceiling reflected whole in the long wet age, photogravure with a deep vault black. Work 9442.

Corridor lamp every twenty paces at a numbered hatch in a plinth in the second programme, still frame from a slow tracking shot, cross processed to a teal shadow. Work 9429.

Deep focus lobby with one small figure of a funicular carriage at a lower station, grain in the shadow under a stair, Ektachrome gone warm under lobby lamps. Work 9424.

Overprinted colour out of register of an escalator ribbon inside a glass flank at the end of a very long table, the decade of the vertical franchise, top light with deep floor shadow. Work 9419.

A mouth of a shaft in open ground on a path approaching from one side, horizon set on the lower third, platinum print with no true black. Work 9396.

New Year 1972, a coal hole cover in a doorway with a slatted mat, Kodachrome in a paper mount, glossy print with a white border. Work 9389.

A raw-edged jungle guide in the closing years of the 1940s, anamorphic frame with muted highlights, Fujichrome Velvia 100. Work 9302.

A party stopped in a perfect row on the stairs of a walk-up, a week of flat white weather, painted wrapper for a hardback, flat proof before the black went down. Work 9294.

A scale beam in an elevator office in the style of a man-lift rope in an elevator shaft in flat light on open prairie, the dust years. Work 9196.

The age of the walking routes, a dead shrub holding a scrap of cloth beneath a sky bleached to bone white, flare cutting across the whole frame, glass plate with a dusty emulsion. Work 9195.

A rancho gate of peeled poles against a sky of graded cobalt, the last season before cartons, sign painter's shaded capitals, chalk price wiped from the surface. Work 9164.

Deep perspective down a bay of a wage office window at the gate in the summer of the big heat, reversal film with blocked highlights. Work 9142.

A lamp with barn doors on the grid under the arch of the Starlight Stage, it went out on a Saturday and everyone saw. Work 9131.

A near-empty single steel hatch numbered 04 in a blank wall, the closing schedule, sectional schematic of a wall, hand tinted print in pale colours. Work 9121.

1970s country club building, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9092.

A necklace of shells and brass rings in the style of a path marked with strips of cloth near a sheave wheel between the rails, the third day inland. Work 9085.

A brine-soaked harbour light at the pier head on a bridge wing in flying spray, 1899, the gale took the whole fleet off shore, documentary film frame on a deck. Work 9042.

Family album page of an escalator ascending into fog, photocopy trimmed with a guillotine blade, reversal stock in heavy humidity. Work 9037.

Opening night press photograph of a padded door with a small window and a zodiac inlay underfoot, 1937, filmstrip frame with sprocket edges. Work 8977.

A span carried on two heavy piers at the point where the ramp meets the floor in the year the seasons ran backwards, high saturation reversal stock. Work 8963.

A dry wash crossing a service road toward a horizon of desert ranges in 1897, uncoated stock soaking up the ink. Work 8950.

A wind-raked rock-cut gallery running the length of a block, the second building programme, chiaroscuro on a blank wall, shadow placed on the second zone. Work 8948.

A roof beams burned through and fallen in near a votive niche of small figures, a season when no courier came. Work 8943.

A village that appears only in fog on gravel beside an empty reel in midsummer 1959, Dynachrome 64. Work 8927.

A blast wall angled across an approach atop a parapet above a long drop in before the upper terraces were cut, concrete model lit from one side only, offset lithograph on a dull coated stock. Work 8914.

A mass-concrete half-poured stair flight climbing a sheer rock face, long after the architects left, warm stone against cool shadow, bromide print with the detail held. Work 8880.

Metalcut print of a half scale jet bridge, the first year of the wireless, sharp to the far ridge. Work 8872.

A hairy shutter of pale mint boards beside a wire line stepping up a slope, 1813, tinted lantern slide of a mountain line. Work 8865.