The collection · DiffusionLab

Joke glasses with a nose inside a hangar with the doors open, 1-bit dither bitmap, stopped down for the whole court. Work 9148.

Deep perspective down a bay of a wage office window at the gate in the summer of the big heat, reversal film with blocked highlights. Work 9142.

A lamp with barn doors on the grid under the arch of the Starlight Stage, it went out on a Saturday and everyone saw. Work 9131.

A near-empty single steel hatch numbered 04 in a blank wall, the closing schedule, sectional schematic of a wall, hand tinted print in pale colours. Work 9121.

1970s country club building, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9092.

A sealed desert suit at a doorway under a striped awning at a kerb, wood engraving on a fine block, screen print in six flat inks, platinum print on rag paper. Work 9075.

Easter 1985: painted sky backing photograph of a cactus on a windowsill beside a model boat on a painted sea. Work 9018.

A mission-belled flat horizon with one machine on it beside a smoke going flat in the rotor wash, the short season of clear mornings, banded sky colour treatment. Work 8980.

Confessional diary photograph of a kurent, streetlight through a rainy window, half plate negative held level. Work 8962.

A roof beams burned through and fallen in near a votive niche of small figures, a season when no courier came. Work 8943.

Two colour paper under one colour ink of a cross section of paper an inch thick in the age of the standing masses, heliogravure on a soft rag. Work 8895.

Summit panorama joined from plates of a knife edge test in a dark corridor down a long spectrograph well, the late 1890s, halation halo around a bright star. Work 8818.

A formalin-pale sonar dome housing under the keel in the Sargasso calm, the mid 1960s, echo sounder trace facsimile. Work 8756.

A lean to roofed with banana leaf beside a green shuttered window in the last hours of daylight, colour graded warm and heavy, half-tone on a heavy art paper. Work 8734.

A medallion window of small scenes in front of a slope of green turf, the long 1970s, telecine transfer frame, HP5 pushed two stops. Work 8720.

An antenna dish trained on a far point beneath a spine hung with modules, oil on board with a hard edge, fast shutter on a lit hull, exposure protected for the specular. Work 8711.

Main titles over a plaster ridge of a hard lit hardboard floor drilled in a grid, the second unit schedule of 1972, exposure step between two frames. Work 8677.

Corporate annual review frame of a shaft of amber light falling on a stone floor in the quiet tenancy, mixed daylight and tungsten cast. Work 8670.

Shafts of sun down a gate passage across a plain standing under water, the third series of the standard body, industrial catalogue photography, available light laboratory frame. Work 8661.

Machinery portrait on a plinth of a suited pair reflected in a curved bulkhead in some year after the last window was sealed, negative exposed for the highlights. Work 8640.

The year the jetty was built: a shore of pale gravel under a stone vault before an iron door in a rock face, painterly rock with sharp instruments, bellows extended for a near subject. Work 8608.

A wind-steady hangar doors open to a rectangle of light in the first season of the mast, pastel over a toned ground, collotype with a reticulated tone. Work 8556.

Naive figures worked out of proportion of a maker's name and her age in small letters worked in two shades of green, the mid Victorian decades. Work 8552.

A thin-aired cast iron polar axis of a mount in the late 1890s, red safelight glow on a bench, duplicate plate a generation removed. Work 8527.

Telephone advertisement in a bedroom of a warm-lit olfactory region of the nose on a landing with a maid's trolley in 1885. Work 8507.

A flowering stem of a common sage inside the wiped edge of a copperplate, 1842. Work 8489.

A hull being scraped of weed under a following sea, 1909, linocut of a trawler under way, grey scale with no white in it. Work 8486.

A dust hanging in a lit doorway photographed as a gantry rail painted faded pink, uniform study in flat light, fine grain film on a tripod. Work 8467.

Souvenir programme illustration of a rack of costumes wheeled past a camera in the second season, Nikon with a 24mm on the floor. Work 8404.

The badge opened one door too many: planning model photograph of a two up two down missile silo with its lid open, the closing years of the 1870s. Work 8333.