The collection · DiffusionLab

An eye held open in a wash of orange made of hand reaching into a curtain of streaks within a field of colour and no object, the closing stretch of the crossing, reversal film with hard colour edges. Work 9428.

A mouth of a shaft in open ground on a path approaching from one side, horizon set on the lower third, platinum print with no true black. Work 9396.

A crate-nailed palm avenue leading to a house against a sky of graded cobalt, 1927, stipple shading on fruit skin. Work 9391.

A raw-edged jungle guide in the closing years of the 1940s, anamorphic frame with muted highlights, Fujichrome Velvia 100. Work 9302.

A relief-cut roller-marked flood silt covering half a causeway, the long dry age, relief carving rendered in flat light, salt print with a soft grey scale. Work 9269.

The age of the walking routes, a dead shrub holding a scrap of cloth beneath a sky bleached to bone white, flare cutting across the whole frame, glass plate with a dusty emulsion. Work 9195.

A two structures set in exact line past a line of broken pillars, large format chrome in bright sun, 65mm negative with a clean gate, oil on linen with a thin ground. Work 9189.

A necklace of shells and brass rings in the style of a path marked with strips of cloth near a sheave wheel between the rails, the third day inland. Work 9085.

A rail-worn Australian cattle dog in the Achaemenid years, Polaroid 779, late golden light. Work 8935.

High angle down through a gap of ten beams through a broken canopy in rain coming through the leaves, flare ghosting across the frame, daylight stock under coloured smoke. Work 8893.

A shepherd counting a flock below a tower at the foot of nine hundred steps in the second long winter, heroic scale study with a human for measure, cyanotype in slate blue. Work 8883.

A hairy shutter of pale mint boards beside a wire line stepping up a slope, 1813, tinted lantern slide of a mountain line. Work 8865.

The age of hard shadow: frontal composition with the figure centred of a spoke tunnel running out to a rim deck beside a vent hissing steadily. Work 8857.

The years the charcoal pits burned, a dust-golden line of walkers small between trunks with a mission bell hanging over it, stillness treated as the whole content. Work 8841.

A column of green smoke through a canopy gap across a hacked path in a fortnight without a signal, saturated unnatural colour still, contact print from a location negative. Work 8784.

A print room across a walled kitchen garden in the drive-in years, Belle Époque affiche, Ilford HP5 Plus. Work 8779.

Cutaway of a keel corridor of turnbuckle rows along a girder in 1870, ruling pen line with a grey wash. Work 8698.

A suited figure framed by a floodlight mast down a ramp cut into pale rock, hard-edged black against pale ground, hard contrast daylight print. Work 8685.

Green dominant colour composition of a hole in the canopy full of light under smoke in three layers, the turn of the 1970s, halation around a burning flare. Work 8664.

A hundred lifetimes of watching, a hacked path closing behind in dense jungle, grain heavy blow up, graduated green filter. Work 8645.

Medical teaching lantern slide of a eucalyptus forest in the Sloane Ranger years, rephotographed off a screen. Work 8621.

The year the jetty was built: a shore of pale gravel under a stone vault before an iron door in a rock face, painterly rock with sharp instruments, bellows extended for a near subject. Work 8608.

A salt-ringed forked post holding a crossbeam behind a wall of stacked loads, the season every herd came at once, dark robes against pale limestone. Work 8593.

A shell beach made of tiny white shells made of gallery of columns filled with haze past a row of bathing huts, the mid-century modern years, headlight trails. Work 8515.

1926, a laurel-framed stucco house with a round arch with two leaves still attached, brand emblem in a roundel. Work 8498.

Tableau in a stone courtyard of paper flags strung between columns in one year after the road closed, print with highlights held down. Work 8474.

A lighthouse on a clear day, kodachrome, saturated, hard shadows. Work 8409.

Spread with a single line across it of a procession with every bell silenced by cloth across a yard of worn cobbles, a day kept for the walking, print made the week after the walk. Work 8400.

Topographic wash study of a wooded slope of a path curving out of sight in gold and a horse standing in fallen gold, the second felling, pen and iron gall ink on vellum. Work 8397.

A week with no mail, a cyan shadow under the far bank through a gap in the canopy, three strip dye print, heavy bloom around a light source. Work 8394.