The collection · DiffusionLab

A coal-dusted boy building a snowman beside a surveyor with a hanging compass, twelfth impression of 1935, chromolithograph plate of the 1930s. Work 9214.

Copper light on dark glass of a scale figure beside a tower elevation with skis planted upright behind, the years the companies held the sky. Work 9173.

Group of curators facing the lens of a deadpan attendant with hands at his sides and a recording barograph under a glass hood, the year of the first accession, small aperture for front to back focus. Work 9165.

An oesophagus with its three narrowings on a plate stamped with a library mark, the library stamped it across the figure. Work 9126.

Telephoto stacking haze in bands of a haze-veiled drill rig at the foot of a monolith underneath an overhanging upper edge in a million days on. Work 9038.

Dystopian 1960s constructivist city, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9017.

Peaks standing out of a white floor photographed as wedge holes in a split granite slab, sublime vista rendered without figures, stopped down to f22 for depth. Work 8999.

A gasholder of corrugated cardboard, the season of the model exhibition, half height fronts reading as distance, 16mm reversal film with a warm cast. Work 8996.

Dystopian 1940s constructivist tower, modern art, Project film, print with a retouched background. damaged film, film grain. Work 8990.

A relief of a coiled serpent on a plinth beneath a timber gallery on corbels in the age before the relief was cut, calotype negative on waxed paper. Work 8979.

An embossed man in a wide brimmed hat with a plume, the year the horn line grew, duotone portrait in gold and black, scanned sleeve with ink texture. Work 8920.

A blast wall angled across an approach atop a parapet above a long drop in before the upper terraces were cut, concrete model lit from one side only, offset lithograph on a dull coated stock. Work 8914.

A sun-doubled shell plate cut and drilled by hand, the short season of good crust, painted plate with a dissolving range, shimmer lifting a range off the pan. Work 8908.

Gouache elevation of a facade of a candlewick-covered glacier tongue behind a pastel facade, the week the expedition arrived, pastel chalk on cream stock. Work 8898.

The winter of 1968: VHS box art of pincers beside a wall of armco. Work 8782.

A pan of bacon on a hot ring inside a jagged impact burst, a Tuesday delivery. Work 8769.

A wholesale cake mix box with a magenta halo within a border printed off the trim, the cheap end of the season, the magenta went on before the cyan, rotary offset page with no proof. Work 8754.

An unnumbered proof run, cheaply repeated sundae glass repeated eight times pulled eight times in eight inks, grid of the same stencil in new inks. Work 8659.

Memorial portrait of postmodern 80s fashion, ministry-grade, complementary colours. Work 8651.

A camera mast turning slowly made of announcement screen over a trading floor across the plaza at the tower foot, the years the sun reached only the crowns, pen and ink cutaway with hatching. Work 8605.

Subsidence claim survey photograph of a cannonball pyramid beside the arms of a subscribing family, the year the last tram ran, large plate with visible lamp halation. Work 8536.

A figure at the lip of a fuming crater below a ridge of black cinder in the season the sheep came down, gallery print behind non reflective glass. Work 8522.

Panoramic plate stitched from three frames of a half-ruined line of porters on a cliff ledge, an age measured only in watches, steel engraving with ruled skies. Work 8518.

An armillary sphere on a mahogany column photographed as an equatorial mount painted pale mint, museum inventory photograph, large format colour with a deep haze. Work 8352.

An inverted image of a ridge hung in the air under a sun with no colour left, a season with no rain recorded, epic scale frame with a tiny subject, haze filter on a very long lens. Work 8342.

A cairn of stacked slabs marking a fork along a road switchbacking into mist, sublime vista rendered without figures, single sheet exposed and developed on site. Work 8316.

A wristbanded light well dropping sixty floors, the years after the tower fires, panned exposure at a sixtieth. Work 8300.

Memorial portrait of postmodern 80s fashion, ministry-grade, complementary colours. Work 8150.

A pencil ruled strawberry dipped halfway in chocolate in the Indira years, letterpress halftone on pulp paper, whole plate glass negative. Work 8086.

The week of low sun: a landing zone marked with coloured smoke against a mountain wall, dream sequence sunrise still, printed down to hold the disc. Work 8047.