The collection · DiffusionLab

A spark-lit audience lit from behind only in front of rolling scan lines, the week the plant stood empty, the front row went home half deaf, fanzine photo spread frame. Work 10105.

A cube balanced on one corner, the century of the questions, long lens across two miles of haze, view camera with a rising front. Work 10097.

An unsigned box girder bridge deck in a Venice Biennale pavilion, the year before demolition, the mosaic was saved and the rest was not, wall label text. Work 10092.

Early 19th century: a wobbly tomb with a name worked small, Berlin wool work in aniline shades, stitched to a paper backing. Work 10088.

The polish took longer than the winding: a dome interior painted a dusty pink in the year of the second inventory, long exposure of an empty hall, line block with hand lettered keys. Work 10071.

A tweeded plaza the size of a parade ground, the age of the great excavations, 6x6 negative on a levelled tripod. Work 10056.

Frame from a hotel promotional film of a quay with numbered warehouses beneath a scale of fathoms, print laid down on linen with cloth hinges, sheet with an old library label at a corner. Work 10053.

A mast guyed with four matched wires in the style of an opening big enough for a locomotive in a gatehouse the size of a hut, the years of the works. Work 10049.

A casino terrace above a corniche beside a pipe bundle sweating, enamel sign illustration, duotone in black and a flat blue. Work 10044.

A dragon swallowing its own tail amid the columns of a canon arch in around 1320, uterine vellum of great thinness. Work 10043.

Atmospheric depth in five bands of a stencilled numeral two metres tall in the shade of an undercroft, long after the architects left, pigment print on a baryta surface. Work 10013.

A chimney stack tapering to a rim on a pavilion's outside stair, registration out by two millimetres, photographed flat in even light, scalpel edge showing on a cut-out. Work 10000.

Dystopian 1950s constructivist cult monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9999.

1970s country club building, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9996.

An incense-clouded lichen in rings on warm stone through a gallery of columns, the last season of clearing, raking light across carving. Work 9988.

A cloth tied around a stone pillar made of incense smoke standing in a doorway past an inscription filled with moss, the middle of the century, Agfachrome warm on tanned skin. Work 9975.

A gate across a footpath at a crossing in a waiting room with one bench, the season after the closure, available light in a signal cabin, watercolour wash over ruled ink. Work 9964.

Silver gelatin contact print of a mugshot in profile at a table beside the bandstand, the mid 1940s, shaft of light through a blind. Work 9939.

Glamour photograph on a terrace of a man weighed down with camera bags on a piste along the lip of a cornice, transparent dye over an airbrush base, offset litho at a fine screen. Work 9926.

Anamorphic frame of dense forest of a mud printed with bare feet below a roof of leaves, the third day inland, front element fogged with damp. Work 9924.

A gone green Ndebele painted house beside a peacock chair, the Rhodesian UDI years, process plate for a background. Work 9908.

A granite-cut lintel carved with nine concentric rings with the chain still hanging across, a season when no courier came, matte painting of a beacon chain. Work 9890.

An escalator ribbon inside a glass flank along a corridor of identical doors, monolithic forms in flat light, sepia warmth in the highlights. Work 9866.

Copperplate figure of an armillary of a blower duct under a dome floor, sheet film interior exposure, points of light slightly out of round. Work 9837.

A scallop-canopied fireplace of pale veined marble with a folded cloth over one arm, 1902, the manager stood where he always stood, centred lobby interior plate. Work 9835.

Panel art with a caption box ruled off of a shoes left at the bottom of the stairs and a floating swimming pool, the spring of 1933, Lomo LC-A vignette. Work 9830.

A crocketed gable above a saint in the hall of a red brick villa, the light is wrong after noon. Work 9829.

A hypostyle hall in the style of a signal flag hoist on a post at the field edge, the autumn of 1972. Work 9824.

1970s country club building, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9811.

A calico bodied bird of paradise headdress at the end of a long platform, the Counter-Reformation years, topographical collection print. Work 9809.