The collection · DiffusionLab

Flat screenprinted portrait in loud inks of a bus conductor's face in flat brown and a barber's face in two clashing inks, a sitting nobody was paid for, a fingerprint set into the pink. Work 8910.

A thick-inked fishwife's head in sour pink behind a microphone on a boom, the last print of the series, one head was pulled upside down, multiple portrait of one head. Work 8874.

Poster illustration in candy colours of beach-ready two men in pastel shirts hauling a marlin, summer 1985, dye sublimation print in high gloss. Work 8855.

Offset art with a trapping gap all round of a newspaper colour supplement gone pink inside a panel with three plates aligned, cyan fringe along every dark edge, ink smear down the leading edge. Work 8815.

Zanfirico glass vase of a company-issued livery stable against a stencilled hazard band in the spring of 1941. Work 8801.

A wholesale cake mix box with a magenta halo within a border printed off the trim, the cheap end of the season, the magenta went on before the cyan, rotary offset page with no proof. Work 8754.

A crew member in a headset grinning made of spotlight beam hitting a gold catsuit beside a rack of costumes, the tenth anniversary show, saturated magenta gel wash. Work 8753.

A flamingo-pink woman in mint green heels on a marble terrace beside a hydraulic truck hoist tipping a box, late in the eighties, railway branch line record photograph. Work 8721.

An alchemist's workshop overflowing with vines across hot pink terrazzo, the age of cathedrals, anonymous seaside snapshot, verticals held true in a lobby. Work 8719.

The middle of the decade, a loud-printed man in a peach shirt gripping a boat rail with the sky gone tangerine, neon sign lighting a face in magenta. Work 8714.

A wide-shouldered pleated costume held together with visible stitches, some time after the last collection, colour transparency of a single look, emulsion that reads pink in the shadows. Work 8682.

An imported flowering stem of a hellebore, 1824, gum arabic left glossy on the petals. Work 8679.

Society page frame at a hotel door of a woman in a silver coat beside a chrome exhaust, tape still with a soft magenta edge, print with the black gone slightly green. Work 8652.

Memorial portrait of postmodern 80s fashion, ministry-grade, complementary colours. Work 8651.

A mounted on velvet doorway with a slab door standing open at the centre of a long bench, the years the works ran on, the numbers on the blocks skipped one, hand tinted plate in mint and pink. Work 8609.

A stole of matted grey fleece over a gilding cushion, instructional film still on composing, foul proof with red corrections. Work 8587.

An acid pink soda glass with two straws blown up to the height of a wall, the hundredth issue, billboard-scale comic panel. Work 8563.

A single bloom filling the packet of a rose budded at the neck of a stock and a frame of thirty small bells on wire, an evening after the walk ended, matt bromide in a warm grey. Work 8559.

A space capsule across an uncut sheet of forty, 2028, colour reference photograph, chromolitho in pink mint and ochre. Work 8538.

A mirror-shaded spiralled street corner from the fifth floor, high season on the bay, pastel airbrush advertising illustration, airbrush artwork with a masked horizon. Work 8512.

A dust hanging in a lit doorway photographed as a gantry rail painted faded pink, uniform study in flat light, fine grain film on a tripod. Work 8467.

A clay octopus with eight thumbed arms above the set on a camera rostrum in one long afternoon in 1969, magenta shift in the shadows. Work 8415.

A eucalyptus row bent by wind inside a horseshoe device, lemon label plate with a pale palette, fugitive red faded toward pink. Work 8387.

Memorial portrait of postmodern 80s fashion, ministry-grade, complementary colours, highly symmetrical face, detailed and perfect hands. Work 8357.

The second month of rain, a magenta-washed shrine box on a post at the water's edge centred in an empty reach, very long lens river shot. Work 8353.

1922: a peony bud swelling on a stem under the glass of a lean-to house, outline strengthened for cheap paper, varnish gone tacky on the cover. Work 8341.

Advertising still for a resort leaflet of a woman in a lemon dress leaning on a pink wall and a woman in a pink visor serving at a net, the season of the open hull. Work 8313.

Somebody mixed the pink by eye: flat stencil print with no blending of a glasshouse-grown thermometer tiled down a column, the first edition of fifty. Work 8309.

A concierge centred behind a pink marble desk photographed as a brass frame screwed beside a door, overhead plate of a laid table, single lamp raking across marble. Work 8307.

Flower in colour and root in line of a flower and pitcher of a Nepenthes, hand colour over an engraved line, relief print taken from the leaf. Work 8274.