DiffusionLab

The vintage era of AI art, and its electric sheep.

The collection

All 1375 keywords
Ring flash beauty photograph in whites of a woman in a gown sitting on the arm of a chair beside a wheel with a crowd around it, work print cropped to the hands. Work 9469.
Dystopian 1960s national monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9467.
A train driver's head in two tones and a printer's head in ink black beside a ferry rail in flat blue, the season of the loud palette, rephotographed portrait flattened again. Work 9465.
A crew member with a helmet tucked under an arm, arc light blowing out one corner, the suit was three sizes off and worn anyway, colour negative timed for the suit whites. Work 9459.
The height of the motor show boom, a chrome-bumpered couple beside a coupe with the doors raised with driving gloves still on, corporate portrait beside a company coupe. Work 9443.
An off-cut long-exposed flower head in sixteen colourways, an edition of two hundred, optical shop record photograph, print made on glossy bromide. Work 9407.
Dystopian 1980s national monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9392.
A double-ranked hood lined with felt to deaden sound beside a sash woven with copper thread, a cold morning with no wind, close study of hands on cold metal. Work 9372.
A kamale ngoni against a wall of coarse magenta dots, nobody could play it. Work 9365.
A belt of knotted wool cord beside a pipe venting into the wind in a decade of quiet ground, vignette from a deep lens hood. Work 9318.
Long after the finders were forgotten, a seamless face reflecting a pale sky through haze breaking a lower edge, silver print with a blocked shadow, neutral density for a slow shutter. Work 9304.
A choreographer clapping a tempo in the style of a boom operator swinging a microphone on a rotating platform, a dress run in 1976. Work 9299.
Dystopian 1960s national monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9230.
1970s country club, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9222.
Dead symmetrical group composition of a delegate with a hood moulded to the head at a rope stretched between two posts, the year the floodlights were installed, single-pass print on gloss stock. Work 9220.
The spring of 1957, a die-cut lighting shop in fingerless lace gloves, cyclorama painting. Work 9199.
A number-drunk woman in a pinstripe skirt suit on a ladder in the age of the unmeasured distance, wide gauge frame with a smooth gradient, dot matrix printout on fanfold paper. Work 9177.
A scholarship winning person cut in half by the edge of the frame, the winter of 1987, arpillera, oleograph with a canvas texture. Work 9152.
High season 1978: a mirror ball throwing coins of light on faces on the third step from the bottom, grainy broadcast video still, twin flash heads on a bracket. Work 9134.
A man in a white suit skiing with a briefcase and a man in a silver ski suit toasting the valley, wire service colour photograph, Type C print on glossy paper. Work 9113.
Film still from a dawn sequence of a scarf-streaming length of magenta cloth in the slipstream over a river holding two suns in the turn of the tide at dawn. Work 9112.
Dystopian 1960s national monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9105.
1970s country club, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9100.
Interiors feature in full colour of a woman in a beaded gown adjusting one strap in the season at the hotel, cover proof with the title over gilt. Work 9086.
A pair of figures holding one bar photographed as goggles with scratched lenses, high vantage frame of a formation, punched tape strip laid flat. Work 9062.
A half-derelict vent stack standing clear of a crest, the age of the sealed suit, modeller's prototype reference photograph, slow emulsion with deep blacks. Work 9009.
A woman in a straw hat scoring laps by hand inside a hotel lobby full of drivers in qualifying afternoon 1981, Ektachrome pushed one stop. Work 9000.
Frontal portrait of a helmeted figure of an attendant screwing a helmet down in the century the shimmer was mapped, carbro print with soft edges. Work 8986.
The 1938 edition, girls in a ring holding hands in the margin beside a poem, paper browned at the fore edge, a name written inside the front cover. Work 8984.
Value block-in with no detail at all of a dust pooling against a flat face, orthochromatic stock with a white sun, graduated filter on the upper sky. Work 8952.