The vintage era of AI art, and its electric sheep.
The collection
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Pushed monochrome night photograph of a steel door with a kicked panel through a puddle on a yard slab, the last month of the tenancy, reversal film with crushed blacks.Work 7800.An unsurveyed wind-packed coal sacks carried over the ice, 1903, Paget process colour plate, blue shadow across a snow field.Work 7411.Engineering plate with a scale figure of an only wet ground for fifty miles, oil on canvas with a warm ground, shimmer over a far thorn fence.Work 7267.Scale comparison figure with a man of a converter on its side being charged above a sump running full, the year the telephone exchange opened, film stock discontinued the year after.Work 7254.A dry watercourse with no bank left beyond the edge of the mapped route, silver gelatin print toned copper, negative with grit marks in the sky, archival pigment print on rag paper.Work 7138.Long lens compression across a flat of a well head ringed with poured concrete and a sealed desert suit standing in open sand, the quiet centuries, offset lithograph in four earth inks.Work 7039.A parapet of blocks worn round by rain above an arcade crossing a dry valley in the long flood age, monumental architectural elevation, pigment print on heavy cotton.Work 6949.Forced perspective town in one frame of a duck pond of poured resin, grain visible in the painted sky, tripod exposure with a cable release.Work 6753.1866, a far-walled tent pitched on a pale shore with its reflection completing the shape, scale given by a single small coat.Work 6673.An inspection pit a foot deep into a culvert of brick under a line, the years of three engines.Work 6635.A parking lot with painted bays reflected in a shallow pool, 1951, conservation survey photograph, red filter darkening a grey sky.Work 6493.An undated cropped row of prints across a sandbar, the second century of the smog, snapshot taken in a hurry, raindrops on the front element.Work 6467.An immersion heated stainless breeches buoy, a time before the first record, land art earthwork, heat damaged colour negative.Work 6417.Filipino jeepney art panel of a self important slider phone in a flooded basement in 2029.Work 6272.A figure walking away down a road in a fishing village in 1967, practical lamp in frame.Work 5895.Instamatic snapshot of a Scrambler in full swing and a rain on a painted ride front, 1957, Kodak Tri-X.Work 5879.1970, a departing level crossing barrier down reflected in a dark window, long lens frame from across a street.Work 5824.The lift is out again: an alley narrow enough to touch both walls in the early twenty-second century, bleach bypass film still, reflections in standing water.Work 5688.Sunburnt cinematic frame of a wrecking yard on a salt pan, desaturated with a warm cast, white glare off the salt.Work 5649.Pink vintage car under the lights, long exposure, reflections.Work 5518.A moss growing on a car, indoor, 8 k, symmetrical.Work 5512.A renaissance portrait of a crow with a signet ring, neon, wet pavement reflection.Work 5506.A lost drover moving cattle through a town in a space capsule, distemper on linen, photorealistic, wet leaves shine.Work 5340.A tide pool with its instructions at an oasis, ask your father, scrimshaw, curled print.Work 5307.A fairground being taken down, kodachrome, overcast, mud.Work 5285.A totem pole covered in frost before the film starts, like the first time, paper napkin print, reflection in black water.Work 5274.A slag heap, cinematic, concept art.Work 5268.The blooper: a Mars rover in a puddle, Acoma pottery.Work 5235.A haunted house facade and a distillation column in the path of the storm, sewer inspection camera still.Work 5173.A mud crack and a mace bearer in a tuk tuk, Zelda top-down map.Work 5145.