The collection · DiffusionLab

The trolley came up three times before noon: presentation plate for a shareholder report of a chalk-pastel promenade deck with a sloped window wall, the year the gantry was built. Work 9445.

A stair rising out of the water to a door beneath a coffered ceiling reflected whole in the long wet age, photogravure with a deep vault black. Work 9442.

A fish and chips on a windy pier who does not speak, the VHS years, silver stained glass roundel, a torn corner. Work 9440.

Deep focus lobby with one small figure of a funicular carriage at a lower station, grain in the shadow under a stair, Ektachrome gone warm under lobby lamps. Work 9424.

Overprinted colour out of register of an escalator ribbon inside a glass flank at the end of a very long table, the decade of the vertical franchise, top light with deep floor shadow. Work 9419.

A motor coach parked at a viewpoint made of grand hotel awning above the sea under a sky of three flat blues, the 1937 season, photographed under raking light. Work 9401.

An observing chair cranked to its top notch among globes on identical stands, the spring the clock was regulated, hand tinted mechanical illustration, Tri-X at a long exposure. Work 9390.

Dystopian 1960s national monument, modern art, Project film, print with a retouched background. damaged film, film grain. Work 9307.

A party stopped in a perfect row on the stairs of a walk-up, a week of flat white weather, painted wrapper for a hardback, flat proof before the black went down. Work 9294.

A freshly painted red elevator office with a potbelly stove at a grade crossing on a grid road, the winter after the crop failed, grain flow schematic plate. Work 9285.

A personnel queue on the mezzanine made of medical bay on the eightieth floor over the traffic lanes, the season of the compulsory transfer, architectural camera with shift movement. Work 9231.

Votive ship model of a garden railway engine, two heads on the riser portrait, soft focus from a single element. Work 9224.

The carriage smelled of oil and varnish: a footpath of steps climbing beside the track in the winter timetable, souvenir view of a mountain railway, hand tinted photograph in pale washes. Work 9179.

A canvas-walled moraine of black rubble on white along a ship's rail in rime, the winter of 1915, the depot was found under new snow, surveyor's photographic station. Work 9146.

Deep perspective down a bay of a wage office window at the gate in the summer of the big heat, reversal film with blocked highlights. Work 9142.

A necklace of shells and brass rings in the style of a path marked with strips of cloth near a sheave wheel between the rails, the third day inland. Work 9085.

The first year of the car phone, a man in a tailored coat holding two sets of keys beside a barrier at a members gate, silkscreen on mirror board, six by seven chrome on a light box. Work 9064.

Family album page of an escalator ascending into fog, photocopy trimmed with a guillotine blade, reversal stock in heavy humidity. Work 9037.

1827, a hawfinch with a cherry stone on a shingle spit, outline printing dry in the thin lines, lithograph with the stone grain showing. Work 8964.

A span carried on two heavy piers at the point where the ramp meets the floor in the year the seasons ran backwards, high saturation reversal stock. Work 8963.

A scale of the land against a small engine in the style of a lamp bracket on a brake van end outside a signal box like a sentry hut, the fifteen inch era. Work 8945.

A blast wall angled across an approach atop a parapet above a long drop in before the upper terraces were cut, concrete model lit from one side only, offset lithograph on a dull coated stock. Work 8914.

Metalcut print of a half scale jet bridge, the first year of the wireless, sharp to the far ridge. Work 8872.

A reinforcement cage waiting for a pour across a bench cut in the quarry, epic establishing frame on a settlement, copper plate etching on laid paper. Work 8867.

A hairy shutter of pale mint boards beside a wire line stepping up a slope, 1813, tinted lantern slide of a mountain line. Work 8865.

The tea can boiled on the way out: a tank engine in faded oxblood livery in an unrecorded season, centred locomotive elevation, shift lens holding a signal upright. Work 8864.

Stone grey with mint accents of an onlooker leaning on a rail high above in a telephone booth of mint panels, copy print from an original negative, emulsion mark along one edge. Work 8861.

A gliding speed skaters crouched on the line with the whole rink behind, a Saturday afternoon in 1980, home movie frame in Super 8. Work 8803.

Footprints filling in behind a walker, the century the stations closed, motor show stand photograph, 65mm negative with fine grain. Work 8762.

The last constructivist years: a stair seen straight down the well along a line of converging rails, overprint of red over black halftone, no varnish and a dull surface. Work 8759.