DiffusionLab

The vintage era of AI art, and its electric sheep.

The collection

All 1375 keywords
Harvest time 1954: a paper-covered burnt elevator with the bins still standing, luge race colour photograph, print stamped on the back by an agency. Work 7067.
A rocket nosecone in a scrapyard and a pelota court, botanical type specimen photograph, 6x6 negative on a levelled tripod. Work 6971.
A sky with two horizons against the curve of a fuel tank in the hour before the light changed, 5x4 colour sheet for a poster. Work 6773.
A cooling tower in reinforced concrete above a river valley, charcoal study of a mass, Portra 160 negative. Work 6521.
A chromed atomic power plant with a cooling stack, the late 1930s, Kodachrome transparency. Work 6441.
A silo cluster beside a rail siding photographed as a sanatorium with a curved balcony run, shift lens architectural study, Kodak Tri-X in daylight. Work 6430.
The end of the age of engines, a dust-caked sentry on a water tower platform a day out from the refinery, aerial photograph. Work 6413.
Nobody is coming: a rooftop water tank on stilts in a future that kept its old machines, production concept painting, bloom around a bright sign. Work 6338.
A chain-wrapped storage tank streaked with rust, the third year without rain, Ektachrome transparency, blue horizontal streak flare. Work 6288.
The post war years: a bush hammered precast concrete panel joint, perspective rendering in ink and wash, polarising filter darkening the sky. Work 5965.
A pulp magazine cover with a giant machine in a reactor hall in 1937, newspaper strip panel, floodlit marquee at night. Work 5904.
Super 8 frame of a trailer sheeted in corrugated iron and a windmill pump over a dry bore, the last stretch of the old century, day for night exposure. Work 5797.
A silkie chicken and a power station cooling tower in 1969 at a drive-in, Adoration of the Magi panel. Work 5641.
Bernd and Hilla Becher typology of a giant african land snail on a desert island, through binoculars. Work 5607.
Giorgione pastoral of a haboob in a Mauritian sugar mill, Fernand Leger canvas, the armistice, amber monochrome. Work 5446.
Feel the sound: an incinerator during the Grand Tour, first day cover. Work 5444.
A wind tunnel with nothing in it, industrial photography, hard light. Work 5225.
A municipal grain silo in a boot room, Utah teapot render, nitrate decay, square crop. Work 4203.
Pie chart of a blast furnace in a Bolivian silver mine, highland gloom. Work 3914.
An airship navigator, ambient, atmospheric, western. Work 3474.
A foundry pour seen from the gantry, long exposure, orange light. Work 3218.
A starstruck intertidal grain silo, Korean tiger and magpie painting, one of a pair, studio red light. Work 3078.
An airship hangar in the style of a cockatrice, torchlight. Work 1531.