DiffusionLab

The vintage era of AI art, and its electric sheep.

The collection

All 1375 keywords
The third rotation season: a figure halved by a strip of red light at a table laid for one, photogram of dried seed on glass, sepia faded to a warm grey. Work 10020.
The end of a long afternoon, a coke pushed from an oven in rain on warm stone, graduated green over treetops, carbon print from a plate. Work 10007.
An over-exposed lawn chair sunk in the grass, the off season, chrome postcard, slight barrel distortion. Work 9981.
A provincial hands folded in a lap crossing from left to right, the spring of 1968, Cahiers du cinema illustration. Work 9970.
A gate across a footpath at a crossing in a waiting room with one bench, the season after the closure, available light in a signal cabin, watercolour wash over ruled ink. Work 9964.
The Northern Renaissance: a locked-up Shaker oval box, safety film still, a minute by streetlight. Work 9960.
Salt glazed stoneware jug of a moth queen in a Crombie with a silk handkerchief, the Shanghai jazz age. Work 9957.
An amateur enlarger in a darkroom, the late 1980s, tabloid front page, infrared flash at night. Work 9956.
A lasagne with too many layers made of umibozu within a decorated initial letter, the Ottoman classical age, glow of a rheostat lamp. Work 9936.
Glamour photograph on a terrace of a man weighed down with camera bags on a piste along the lip of a cornice, transparent dye over an airbrush base, offset litho at a fine screen. Work 9926.
A wolpertinger mounted in a hunting lodge at a bench of ruling pens in a row, onionskin second sheet, print with the sea tint slightly out, Fomapan R100 reversal. Work 9920.
Heliogravure of an epidote on kentledge weights at a corner, the Maurya period, tilt corrected large format negative. Work 9918.
A gone green Ndebele painted house beside a peacock chair, the Rhodesian UDI years, process plate for a background. Work 9908.
A crossbill working at a pine cone above a distant estuary, the era of the licensed face. Work 9884.
Slipware dish of a Hawaiian kahuna, radioactive Takumar yellowing, Anscochrome 64. Work 9867.
A shot list taped to a lamp stand near a haystack combed into ribs in the half term week of 1967, telecine transfer with warm colour, noise reduction leaving a soft edge. Work 9798.
An age measured in miles of paving: lithograph in three stone greys of a lap of a seated figure used as a shelter at a relay marker on a straight mile. Work 9796.
A glazier holding a grozing iron in the style of a plating of two glasses for one tone within an iron armature, the Gothic Revival decades. Work 9786.
A window bottle lit from behind with a single figure for scale, 1597, luggage label vignette, label stained where the syrup ran. Work 9778.
Quirky 1960s constructivist, retro tech, Project film, print with a retouched background. damaged film, film grain. Work 9765.
Four flat inks with no shading of a rowing boat tied to a willow, sugar paper mounted on a wall, dye transfer from a hand tinted plate. Work 9764.
Puppet held still for a long take of a gap between the backdrop and the floor in the last season of a puppet series, telerecording from a tube monitor. Work 9746.
A bilingual pipe resting on a tobacco tin beside a match count in figures, the late 1950s, nobody kept the boxes only the labels, Czech matchbox label art. Work 9740.
A slow-hauling salt-blinded salt block waymark whitening further, the season the pan stayed dry, composition with the sky filling two thirds, polariser cutting the sheen off brine. Work 9734.
A robin on a snowy fence post, engraved initial letter with foliage, she knew all the answers, letterpress on a rag paper sheet. Work 9727.
Film grain damaged footage of vintage submarine, beached on a tropical island, damaged Kodachrome, vintage photography, 1950s, damaged film, light leak, found footage. Work 9722.
A man in white tie at the wheel with a cigar in a gilt salon with the doors shut, gala week at the tables, deep shadow between two chandeliers, duplicate transparency losing the shadows. Work 9721.
Film grain damaged footage of vintage submarine, beached on a tropical island, damaged Kodachrome, vintage photography, 1950s, damaged film, light leak, found footage. Work 9703.
Film grain damaged footage of vintage submarine, beached on a tropical island, damaged Kodachrome, vintage photography, 1950s, damaged film, light leak, found footage. Work 9694.
An earth dusted latex worm creature in three coils with one glass eye set slightly low, the second unit schedule of 1972, close up of a rubber jaw opening. Work 9688.