The collection · DiffusionLab

Advertising still for a resort leaflet of a woman in a lemon dress leaning on a pink wall and a woman in a pink visor serving at a net, the season of the open hull. Work 8313.

Silhouette plate in solid black of a newly-pressed mother hanging washing on a line in a farmyard after rain in a 1936 reprint. Work 8297.

He led every lap and said nothing: silhouette study of a wound headcloth of a brick-red field of scarecrows all turned the same way, the railway mania years. Work 8135.

A silo rank throwing hard shadow and a worker sitting in a window reveal, stark contrast with the shadow blocked, red filter darkening a pale sky. Work 8006.

A hessian scarecrow with straw cuffs with glue gone shiny at the neck, 1851, late impression from a worn plate, dust and hair from a projector gate. Work 7941.

Railway enthusiast's record shot of a loud-shirted soda fountain counter along a street of balsa terraces in the Six-Day War year. Work 7893.

A figured zodiacal band above a ridge in 1904, fixer staining a border, paraffin lamp light and long shadows. Work 7892.

Stereograph pair of a threshing crew of a grain price chalked up on a board beneath a run of taped cable, screen frame with a phosphor smear, slow film in bright prairie light. Work 7852.

A bone white branch planted upright in sand, costume study of a wind filled garment, the robe was the only thing that moved, anamorphic negative with a flared edge. Work 7782.

Atmospheric layering cinematography of a boatman standing with one pole among buttress roots, negative developed by inspection, still photographer's colour negative. Work 7775.

A driver in a short sleeve shirt at speed inside a canvas paddock tent in high summer of 1963, long lens at 400mm on a hairpin. Work 7764.

A costumed figure alone in a wide frame on a crust of yellow sulphur in a decade of quiet ground, exposure metered off warm stone. Work 7614.

Portrait print with the colourway wrong of a cowboy actor's head in poison green in a portrait sitting of ten minutes, registration cross left in the margin. Work 7518.

Both puppets were the same puppet: painted backdrop against real boards of a footlit rod puppet fisherman in an oilskin cape, the school holidays of 1973. Work 7499.

A cream-painted man in a boater with a silver hip flask, the Whitsun meeting, bounced flash off a white awning. Work 7479.

Grid of the same stencil in new inks of a fisherman mending a net, pochoir with hand cut stencils, drip run down from the top edge. Work 7402.

A lint flecked warm and sagging plasticine signalman in a lever frame, the half term week of 1967, shallow depth of field across a set, highlight bloom on a wet clay surface. Work 7371.

A reckless reporter with a flashbulb and a fedora in a wet March in 1951, flat proof before the black went down, creased spine with white breaks. Work 7292.

Quirky 1970s country club robot, modern art, Project film, print with a retouched background. damaged film, film grain. Work 7204.

Quirky 1960s constructivist country club, modern art, Project film, print with a retouched background. damaged film, film grain. Work 7168.

A weed-grown silt-hazed pump handles worked in opposite time, the summer of the stone survey, scale of a figure against cut stone, aquatint with a dark ground. Work 7108.

A level-eyed English punt chauffeur in the Aztec years, flat ink pulled through a coarse mesh, albumen print pasted to a stiff leaf. Work 7085.

A walker leading a loaded animal and a block being lashed with wet cord, long lens compression over flat salt, print with the highlight clipped flat. Work 6937.

Dust-choked chalk-priced grasshoppers on a fence wire, harvest of 1928, documentary photograph for a relief agency, colour print with a yellow cast. Work 6930.

The printer lost the yellow stone: illustrated prize list cover of a five-colour gardener mowing stripes ahead of a queue of cars, the 1931 winter season. Work 6927.

A movie poster for a western nobody made, painted illustration, dust and sun. Work 6856.

A woman in a sun visor on a pit lane bench at the exit of the hairpin in the gold livery years, Fujichrome 100D transparency. Work 6837.

A flare-haloed traveller with light streaming from behind the head rimmed in the opposite colour, a century into the passage, complementary clash of magenta and cyan. Work 6795.

Portrait with the horizon removed of a figure in a hat the width of a table, grain visible only in the flat ground, print toned slightly toward olive. Work 6787.

A hat box stacked on a leather case photographed as a service bell push beside a bed, staff portrait on a grand staircase, Kodachrome with dusty pink walls. Work 6759.