The vintage era of AI art, and its electric sheep.
The collection
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A tumbling hangar deck with a ship inside, the age of hard shadow, scan with the negative edge included.Work 7238.Measured section through an atrium of a quietly absurd sunlight bars crossing an empty concourse, the polished years, grain visible in the pale grey.Work 7135.Stone and water treated as one material of a haze-greyed gold light coming in low through a door in the fifth bay gone to pale grey in the age when gold was still on the plaster.Work 7064.The years the towers stood empty: a canopy pressing against a stone wall among fallen blocks, haze separated tower planes, neutral density in a hot courtyard.Work 7032.A traced fired pinnacled canopy over a standing figure, around 1380, flat pattern with no cast shadow, window wired to an external guard.Work 6718.A shadow-barred light beam through a roof hole, a day the stone stayed cool, stillness as the subject, smoke pumped into a gallery.Work 6654.A tapering rain stained prefabricated panel seam, 1932, Julius Shulman style photograph, polarising filter darkening the sky.Work 6490.Dolly frame along a corridor of a wind moving a curtain on an unmade road, the late 1950s, high contrast printing.Work 6485.A dolls house with one room lit, available light, wide angle.Work 6394.A venetian blind half open under a tangle of live cable, the decade after the blackout.Work 6262.The early 1960s: a shutters closed at midday in a Milanese apartment, available light night frame, scratch running down the print.Work 6231.A newsstand with a curved chrome hood in a Havana stair hall in 1925, worm's eye view from the pavement.Work 6044.A stone brought back from a walk against a bare wall, 1981, Arte Povera installation photograph, daylight through a skylight.Work 5783.A value priced glass of wine on a zinc counter in the winter of 1984, hand spotted dust on a print, north light through a clerestory.Work 5779.A helictite, documentary photography, overcast.Work 5736.A joss paper house under warranty during Advent, wooden, prison commissary list, light across a floor.Work 5732.A puncture repair kit made of Foucault pendulum, soapstone, Ezra Stoller photograph, spring light.Work 5708.A cinema foyer with a sunburst balustrade in the Mauresque manner, the summer of 1937, architectural elevation in ink and wash, low key studio lighting.Work 5672.The ending was shot first: Techniscope frame of a peasant corridor with doors on both sides, 1965.Work 5662.1955, a mosaic panel on a gable wall under a space frame roof, large format with a shift lens, dust and scratches from the archive.Work 5648.Seamless studio product shot of a well groomed window streamer taped inside the glass, the doctor endorsement years, Kodak Vericolor II negative.Work 5628.A crop circle discovery in a language that does not exist in a ballroom, the Tuesday after the apocalypse, Reza Abbasi miniature, attic skylight.Work 5393.A storm arriving over a flat landscape made of holly, tarnished, painted illustration, cocktail bar blue.Work 5084.A defrosting chapel of rest on the campaign trail, Chardin kitchen still life, mirror glint, honeyed light.Work 4970.A milking parlour made of feathers at bedtime in a Victorian nursery, kodachrome, ad photography, pool.Work 4964.Your father's version: a Stevenson screen in an Armenian monastery, Roman cage cup.Work 4694.Roman cathedral cyberpunk distopian industrial machine, soft light, moss.Work 4493.A wind tunnel with nothing in it, industrial photography, hard light.Work 4484.The smell of a closed museum: a marble vein in a blanket fort, museum lighting, glass.Work 4451.A yellowed bank teller's glass window arriving over a flat landscape, English church doom painting, mosque lamp glow.Work 4410.