The vintage era of AI art, and its electric sheep.
The collection
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1873, a rail-tracked stalactite curtain hanging over the water facing the lens from a long way off, monumental void with a tiny camp.Work 9404.A crate-nailed palm avenue leading to a house against a sky of graded cobalt, 1927, stipple shading on fruit skin.Work 9391.A swimming pool at the end of summer, kodachrome, empty, long shadows.Work 9387.A raw-edged jungle guide in the closing years of the 1940s, anamorphic frame with muted highlights, Fujichrome Velvia 100.Work 9302.The winter after the crop failed: country weekly photograph of an elevator shadow long across a grid road at the end of an elevator spur.Work 9202.The first spring of the 1970s: a mis-keyed tea house on a lake, borstal record photograph, 35mm colour negative print.Work 9180.A pool with a perfectly level surface between two matched rock pillars, nobody found where the light came from.Work 9147.Production still on a stone set of a stair with grass in every joint at the foot of a temple tower, polariser on a still moat, condensation on cold glass.Work 8998.A village that appears only in fog on gravel beside an empty reel in midsummer 1959, Dynachrome 64.Work 8927.A settlement seen whole from the far rim outside a settlement cut into rock, after the rock ran out.Work 8854.A kimono spread open on a rack beside a stone water basin in 1842, round censor's seal at the edge.Work 8768.A lean to roofed with banana leaf beside a green shuttered window in the last hours of daylight, colour graded warm and heavy, half-tone on a heavy art paper.Work 8734.A river with its tributaries named and a price crossed out and made free, woodland shown by small tree symbols, flyer folded in four in a pocket.Work 8716.Muted ochre against near black of a catchment terrace angled to a cistern between a stair and a sheer drop, architectural transparency on daylight film, 6x6 negative on a levelled tripod.Work 8709.A hundred lifetimes of watching, a hacked path closing behind in dense jungle, grain heavy blow up, graduated green filter.Work 8645.A cash-rich moa browsing in a New Zealand forest, the spring of 1955, dissolving view slide, press flash negative in a holder.Work 8626.Gold haze thick enough to hide the far wood of a sap-streaked bell hung from a beam between trees among ferns breaking through carved steps in an age before the wood was measured.Work 8585.A swimming pool at the end of summer, kodachrome, empty, long shadows.Work 8497.The middle term: architectural interior plate in flat light of a courtyard fountain dry in a stone floor across an acre of polished stone.Work 8406.A balustrade of carved serpents and a tower top above a sea of trees, heat and humidity photography, wet gate dupe of a survey reel.Work 8384.Ski school notice in flat inks of a wooden stave church in deep snow and a coral island with a single palm, the late 1920s, magenta misregister by a hair.Work 8327.A tovshuur beneath a mountain wall far behind, the closing years of the 1930s.Work 8311.The New Kingdom: concept plate of a deep cistern of a brass band on a bandstand in drizzle beside a row of pollarded trees.Work 8294.A column of figures with bells on poles in front of a cottage in flower, he grew it for the show and nothing else.Work 8279.A weeping willow over a tomb in a net barking shed, the Saudi oil boom.Work 8259.A bell bench for six seated men made of stone pier footing grown over with weed against a wall of dressed blocks, the season of the shallow works, orthochromatic plate through green water.Work 8238.A carving-lined carving furred with grey lichen beside a stone basin of green water, a day the stone stayed cool, a clerk numbered the sheets out of order, mirrored tower framing.Work 8206.Sparrows in the driveway rafters made of elevator reflected in a slough beside a slough in spring, the dust years, contact print from a roll film negative.Work 8188.A fern-screened white ring around a hundred trees inside a suit with the lamp on, the third day inland, nobody had cut this path, extreme widescreen jungle frame.Work 8175.A rain coming through the canopy in ropes and a shaft of light on wet leaves amid moths around a flare, the short tropical dusk, two colour lighting still.Work 8106.