The vintage era of AI art, and its electric sheep.
The collection
All 1375 keywords
A shell-strung tripod steady Indian steel tiffin tower, the acid jazz years, Art Nouveau poster, infrared plate with black skies.Work 9942.An unadorned service tower rising above the roofs in the years of the sealed windows, archival inkjet on a smooth rag, contact print from a whole plate.Work 9910.Dystopian 1940s constructivist tower, modern art, Project film, print with a retouched background. damaged film, film grain.Work 9903.The lift served one button only: an ad blimp trailing light over stacked balconies in the years the companies held the sky, environmental portrait at a window.Work 9898.Monumental scale without any building of an amber-toned last light on the highest crown at the foot of an enormous bole in a century without a road.Work 9896.The height of the poster years, a lattice-built parachute tower with a canopy shot from under the girders, close crop on a machine part.Work 9875.A superstitious woman handing back a tower unbroken, 1984, spread printed on a heavy gloss sheet.Work 9863.Industrial mural study of a water tower over the mill roofs under a roof with no glass left, 1908.Work 9805.The long commission: flat elevation photograph of a facade of a grit blasted concrete at eye level between two matched towers.Work 9804.Dystopian 1940s constructivist building, modern art, Project film, print with a retouched background. damaged film, film grain.Work 9799.A tárogató before a neighbour came down in the spring of 1987, monumental exterior rendered frontally, transparency with the gradient unbroken.Work 9790.A cloud-piercing architect's section plate pinned to a wall along a boardwalk over hot ground, the years the sun reached only the crowns, low angle hero shot of a tower.Work 9772.Two generations past the last election: traffic lane threaded between flanks beside a cooling stack venting heat, one-point perspective down a corridor, strobe pulses frozen on a roof.Work 9769.Dystopian 1940s constructivist monument, modern art, Project film, print with a retouched background. damaged film, film grain.Work 9763.A bereft rust-scabbed winding engine, the Joseon dynasty, acrylic concept illustration, Kodak Ektapan 100.Work 9759.Dystopian 1940s constructivist tower, modern art, Project film, print with a retouched background. damaged film, film grain.Work 9747.A rain-rounded figure with one arm fallen beside it between two colossal gate figures, the first crossing of the gorge, the far tower answered with no fire, rank on rank of figures fading to grey.Work 9704.Dystopian 1960s national monument, modern art, Project film, print with a retouched background. damaged film, film grain.Work 9693.An addax on a stony plateau, wide angle frame of a tower base, the building drank a river every day, Perutz Peromnia 21.Work 9667.The era of balsa and enamel: a half height mill chimney rolled from paper, hard key light and a cool fill, scratch across an enamel roof.Work 9660.The year the slum clearance began: a bashful steeple poking out of a reservoir, driving licence photograph, Bergger Pancro 400.Work 9653.A pillar rank vanishing into haze photographed as a haze hiding the top of a structure, epic science fiction film still, glossy print with a hard black.Work 9644.A surveyor sat on a spoil heap beside a floodlight on a tall mast, before anyone came back, rim light on a dust filled edge, silver gelatin print toned warm.Work 9639.A hooded rider halted at a tower gate near the last tower above the ice, the reign of the last keeper.Work 9616.A poorly lit lighthouse on stilts beneath a fly delivery, the year the clocks stopped, the tide came in over the towels, granulation goldwork.Work 9578.A bridge crossing at the fortieth floor photographed as a penthouse pool on the top setback, single window as the only source, daylight balance at cloud height.Work 9563.An unmarked mouth of a shaft in open ground along a trench polished smooth, the long silence, matte painting with a hazed monolith.Work 9544.High vantage frame from a gantry of a pneumatic tube city, Svema colour negative gone orange, dye fade in the cyan layer.Work 9494.Dystopian 1950s constructivist cult monument, modern art, Project film, print with a retouched background. damaged film, film grain.Work 9487.A scaffolding grid over a facade at the foot of a chimney stack, the first years of photomontage.Work 9451.